The Unicorn in the Barn: Review/Author Interview with Jacqueline Ogburn

Today we welcome to The Winged Pen the author of one of my all-time favorite picture books, THE MAGIC NESTING DOLLS. Jacqueline Ogburn is the author of ten picture books and, in just a few short days, the world will be able to read her beautiful debut middle-grade novel, THE UNICORN IN THE BARN.

 

… the presence of the unicorn and other magical creatures adding just a touch of whimsy to a story about very real emotions. A sensitive, moving debut.-Kirkus reviews

Eleven-year-old Eric Harper lives on his family’s farm in Chinaberry Creek. Due to his grandmother’s illness, they’ve sold her home to a new veterinarian in town to help pay bills. The veterinarian takes care of the many wild and unusual animals that live in the area around the Harper’s land. One day, Eric spots a lame unicorn and the veterinarian invites him to work with her and her young daughter to treat the animals. As Eric learns there are magical creatures that live in their woods, he also discovers family secrets that will change his life forever.

THE UNICORN IN THE BARN is both deeply imaginative and real at the same time. It deals with family death in a tender way for young readers. It is a coming-of-age story fully of whimsy, appropriate for ages 9-12 and would make a great read-together book. Rebecca Green’s black-and-white illustrations beautifully compliment the simple and heartfelt prose.

THE UNICORN IN THE BARN goes on sale on July 4th, 2017  at your local indie or here:

Goodreads

Amazon 

Barnes and Noble  

IndieBound

Welcome to The Winged Pen, Jackie! Reading THE UNICORN IN THE BARN was like a walk down memory lane for me, hanging out on the farm and playing the mysterious woods near my home. Does the fictional Chinaberry Creek represent an actual place from your childhood?

JO: Yes, the setting is based on my grandparents’ farm in Cabarrus County, in-between Concord and Albemarle. I would spend at least week there every summer.  When I was little, they still had cows, chickens, barn cats and for while goats, as well as several Chihuahuas that were house pets. Several of my cousins lived in houses and land that used to be part of the original farm. The house is a rambling two story and there are lots of smaller buildings clustered around it—the tractor shed, a couple of chicken houses, a potato house, corn crib, and of course, a barn.  I moved things around a bit, as the barn was in a pasture down the hill, not next to the house. There are still a lot of woods around and a creek and a pond in the pasture.  I named the nearby town Chinaberry Creek, because my mother loved Chinaberry trees. 

It’s interesting how the story seems so simple and innocent, yet deep and moving. I think this may be related to your experience as a picture book writer. How was the process different for writing a middle-grade novel different from writing a picture book?

Novels have so much middle!  A picture book I could figure out the structure and characters in my head, then write a draft that would be very close to that.  I tried outlining this, but as I wrote, the number of scenes and chapters kept expanding.  I knew the beginning and the end, but the rest of the novel, all the middle, kept growing, as I realized more things had to happen to get to the end.  Novels also require a lot more description of the setting and action.  Even though this book ended up with a lot of illustrations, I couldn’t count on the art expressing those things.

While I love fantasy, I wanted this story to be a contemporary fantasy, for it to be as realistic and matter-of-fact as possible.  Moonpearl isn’t a rainbow sparkle unicorn, she needs someone to muck out her stall and pick the burrs out of her mane.

 To achieve that, I did some interesting hands-on research. For six months, I was a volunteer at the Piedmont Wildlife Center, and did most of the same chores Eric did – sweeping, mopping, cleaning out cages, washing dishes, fixing food and water.  That’s how I met Bobby Schopler, the vet who read the manuscript for me and now works at the Duke Lemur Center. I read dozens of books by vets and visited a couple of horse barns to make sure the physical details were well grounded.

 I knew early on that if I was going to have a story about healing, that there also had to be loss. At one point, I called a writer friend nearly in tears because I realized that I had to include the death of an animal for the story to be properly grounded.

From the story, it’s obvious that you care deeply for animals. Can you tell us about your how your real-life experiences turned into this beautiful story that is partly a love letter to animals?

The book is a lot of wish fulfillment for me. I did love animals as a kid and read tons of books about them, especially horse stories. We only had one dog, Rusty, when I was growing up. He was a sweet red-brown Chihuahua. I also kept lots of caterpillars and grasshoppers in jars, and had goldfish and guppies. Fish are nice to watch, but not very cuddly. My mother had enough to do with raising five kids, and as a farm girl, she was less sentimental about animals.  Her brother, my Uncle Jackie, adored them, and there is a lot of him in Eric.

Now I am a cat person. Our tuxedo cat, Java, likes to sit on my chest, just under my chin while I read in bed.  I spent about a year in between cats while working on the book and it made me realize how much I like having a nonhuman companion. They deserve attention, affection and respect as much as people do.   

What can you tell us about what you’re working on now?

I have a few chapters on a sequel, where Allegra is the main character. She’s more complicated and prickly than Eric. Timothy the Cheshire cat and Prissy the goose are still around, but there will be other magical creatures as well.

Lightning round (hands Jackie a cookie, for strength)!

If you had a superpower, what would it be? Flying

Wooden pencil or mechanical? Wooden

Coffee or tea? Hot coffee, but ice tea

Sweet or salty?  Salty

Dog, cat, or other?  Cat

Plotter or pantser?  Both. Even when it’s tightly plotted, like a picture book, there are surprises and detours along the way.

Any advice for all those aspiring authors out there?

Read widely, not just in the genre that you love, but other things, including nonfiction. Curiosity is an important trait for a writer, to wonder “what if” and then to be driven to find out the things that could and would happen after that. 

Excellent advice and thanks so much to Jackie for stopping by to talk with us! Want to see unicorns in the real world?. Follow Jacqueline Ogburn on Instagram, and you can also find out more about her here!

 

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

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Becoming an artist: Jackie Randall’s historical middle grade EMELIN

Book cover in graphic novel style. Boy and girl in brown medieval robes with dark branches and white medieval city in the backgroundIf you’re an eleven-year-old girl in the middle ages, becoming an artist is almost impossible! Even when you have a special talent.

Author Jackie Randall brings the earthy but beautiful world of the middle ages to life in this story of art, theft, persistence, and friendship.

“The year is 1398. Eleven-year-old Emelin Lambert is quick-witted, mouthy, and an orphan. She also has an incredible gift for illuminating manuscripts. When her last relative is killed, Emelin must travel to Reading Abbey in search of safety when she finds herself with a manuscript belonging to Geoffrey Chaucer. Follow her dark and wintery journey through medieval England where she encounters violent thieves, a boy named Wolf and the treacherous adult world she must face alone. Can her gift ensure her survival?”

We’re so excited to chat with Australian author, Jackie Randall! Welcome to The Winged Pen!

In the beginning of the story, Emelin worries about a lost and valuable “work ticket.” As a young girl in the middle ages, could she have gotten one?

The lost work ticket belonged to Emelin’s uncle, Calibor. It was vital to him so he could legally work. I wanted to create a significant problem early on because it would help immerse the readers in the rawness of life in medieval England.

That it was Emelin’s fault the ticket was stolen helped me dig down deep into her and her thinking.

Girls in England at that time were not taught to read or write, and they could never be apprenticed in any of the trades, so a girl, like Emelin, would never have had her own work ticket.

It wasn’t considered sexist. It kept the wheels turning so civilisation could continue to exist.

Women had the ability to give birth and to nurture children. They had finer fingers for sewing and preparing food. Men were bigger and stronger than women so it made sense that they worked to bring in harvest or meat, or to build homes, boats, carts etc.

Everyone did what they could to contribute to life based on what they could do best. It wasn’t always fair, but it worked.

What surprised you most (or was most inspiring) about the research you did for this book?

I loved learning about the creation of illuminated manuscripts. As much as it was unlikely that a girl could do this in this era, it was not impossible if the right things fell into place.

The girl, Emelin, had a fierce attitude that got her on this path and kept her alive when circumstances would normally have made survival impossible.

I was most inspired by the way people had to work so hard, just to live, which is a lot like people still do today in poorer countries.

And I loved using the first person POV to get inside Emelin’s head and find out how real she was. Putting her in a male world – her uncle, the guilds, the abbey – made her a like a candle flame on a black and white photo.

Writing a novel can be like living in an imaginary country. After all the time you’ve spent writing Emelin’s world, would you like to live there? Why or why not?

I think I would have liked to live there. But life was harsh and people often lived only four or five decades. I plan on living until my ninth or tenth decade, even if it’s just to annoy my friends and family… but if I could still be writing well then, that would be great joy to me.

I love Geoffrey Chaucer’s cameo appearance in the story! It had such a fun “medieval rock star” feeling. This story is a brilliant way to introduce young readers today to the author of The Canterbury Tales. Was he well-known in his own time? Or did he become famous later?

Geoffrey Chaucer was known as a poet in his lifetime, but his fame grew gradually after his death. It was only forty or fifty years after Chaucer died that the printing press was invented and books could for the first time ever be produced without people painstakingly hand writing and decorating them.

There are a couple of versions of the hand-produced ‘The Canterbury Tales’ around. One is called the Hengwrt Manuscript and the other the Ellesmere Manuscript.

The cover is so inviting, but it also looks true to the era. Can you share the story of how it came to be?

As much as I enjoy trying to do a bit of art, I knew I didn’t have the skills for this. One of my adult sons helped me find the right person to hire to do the job.

I wanted the cover to show Emelin with the manuscript, and I really wanted the cold, harsh winter in the background. And, of course, Wolf had to be there. After a bit of tweaking, I was thrilled with the end result.

Will Emelin and Wolf have more adventures?

I have a couple of books planned but I’m torn right now as to whether to write for the Australian market (where I live) so local publishers can market my work, or to write medieval and continue to self-publish (Australia has no medieval history as it was not discovered until after medieval was finished).

The books I’m planning about Emelin and Wolf are based first in London, then in Europe. There’s a crime to solve, a dead person who’s not dead, and someone to rescue. I’d really like to get my teeth into these stories as soon as I can.

Is Emelin your first Indie published book? Any advice for aspiring Indie authors?

Emelin is my first Indie book. I did not want to self-publish. My writing had begun to gain interest from Australian publishers, but they really wanted Australian fiction from me.

I didn’t want to bury my novel Emelin so I eventually published myself, with a lot of help from someone who understands marketing (and technology) much more than me.

My advice to Indie authors is don’t do it for the money, for now at least. Become excellent at writing. Don’t publish until you’ve had some beta readers or editors look at it, then listen to their suggestions, because if it’s not good the bad reviews will damage you and your sales.

Brace yourself for the ever-popular lightning round!

If you had a superpower, what would it be? Superdooper wordsmith.

Writing implement of choice? For practical writing… my MacBook Air so I can write fast and edit later. For deep and serious wordsmithing, my Lamy fountain pen and a lined notebook.

If I have a problem sentence or paragraph, I write it out. Then I rewrite it changing a word or two, or starting from a different angle, then I rewrite it until I think I’ve got it. Then I look at it tomorrow. If I still like it, it’s in. If not, I work it again. Sometimes I delete it completely then realise I didn’t need it anyway.

Vegemite, peanut butter, or Nutella? Seeing as I’m slowly eradicating sugar, it has to be Vegemite. If I could eat anything, Nutella… preferably on a fresh, warm crepe on a sidewalk in Paris, with a good coffee (I have done this once).

Dog, cat, goldfish (or pet leech)? Small dog (wire hair fox terrier perhaps) if it doesn’t bark too much (I hate yappy dogs). Or a cat if I can’t find the quiet dog.

Thank you, Jackie, for stopping by The Winged Pen!

Where can readers find you and your work?

You can order your own paperback or e-book copy of Emelin here.

For people in Australia the pricing for the paperback is better through my website www.JackieRandall.com or on the shelves at The Children’s Bookshop in Beecroft.

I blog on Goodreads,

And share illuminated manuscripts and a video on Pinterest.

The Emelin book trailer is on YouTube at https://youtu.be/ZbFyYRz7aLk.

Jackie’s Facebook page.

Jackie’s Twitter.

Headshot of Jackie Randall, author of EMELINJackie has been writing for tweens and teens since 2009. She loves researching and writing historical fiction especially medieval, but is also beginning to plan some pieces of Australian fiction based anywhere between 1850–1950.

The most important aspect of writing for Jackie is developing her writing to the best possible standard.

Jackie was born in England but left there in 1967. She has been back several times and has visited many of the places she writes about, including the remains of Reading Abbey that is featured in ‘Emelin’.

She has a husband, some children and a few grandchildren.

photo of Laurel DecherLAUREL DECHER writes stories about all things Italian, vegetable, or musical. Beloved pets of the past include “Stretchy the Leech” and a guinea pig that unexpectedly produced twins. She’s famous for getting lost, but carries maps because people always ask her for directions. Find her on Twitter or her blog, This Is An Overseas Post. She’s still a Vermonter and an epidemiologist at heart. PSA: Eat more kale!

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Interview with Adrienne Kress

Adrienne Kress is so cool. She’s an actor, playwright, filmmaker, and director. She teaches drama to kids, and she has her own production company. Most importantly for our purposes here, she is an author, of fantastical middle grade adventure stories with daring girls and careful boys, absurd predicaments and narrow escapes. I first came to love Adrienne’s work when I read her book, ALEX AND THE IRONIC GENTLEMAN, about a girl who sets off to rescue her favorite teacher after he is kidnapped by pirates.

Adrienne’s new book is THE EXPLORERS: THE DOOR IN THE ALLEY. Here is the description:

This is one of those stories that start with a pig in a teeny hat. It’s not the one you’re thinking about. (This story is way better than that one.)

This pig-in-a-teeny-hat story starts when a very uninquisitive boy stumbles upon a very mysterious society. After that, there is danger and adventure; there are missing persons, hired thugs, a hidden box, a lost map, and famous explorers; and also a girl on a rescue mission.

The Explorers: The Door in the Alley is the first book in a series that is sure to hit young readers right in the funny bone.

Doesn’t that sound fun? It is. I was lucky enough to get an advance copy of THE EXPLORERS, and quickly fell in love with the witty language, the exciting plot, and the main relatable main characters, careful Sebastian and daring Evie. Adrienne agreed to answer a few questions for The Winged Pen.

  1. Your books are so wild and fun. What do you do to get in the right mindset to let your creativity flow?

Thank you! I’m very happy that you find my books so engaging. What you’re asking is how do I get inspired. And that changes constantly. These days, though, it’s not about getting into any kind of mindset, it’s sitting down and getting to work. I used to find I could only create when my imagination was on fire with ideas, but as I started to write more, it became necessary to learn how to treat writing like a job. I remember the first time I “forced” myself to write. It was a struggle and I worried so much that the effort was going to show on the page. But I was stunned when I reread the work later and found that it came across much in the same way as those bits written out of pure inspiration. So it’s a combination of inspiration (because you still have to come up with the ideas, etc.) and getting down to it. And, it’s a very good feeling, really, knowing you can write without the muse constantly sitting on your shoulder and whispering in your ear. It’s still not easy, but it is very freeing.

  1. Was this always written with two points of view? Why did you decide to write it this way? What did you gain or lose?

I actually started with just Sebastian while I was planning out the book. But pretty quickly I realized I wanted to write about a girl as well. I had written from several points of view before in my YA book THE FRIDAY SOCIETY so I had some experience in this area. And I don’t really think I lost anything by making that choice. I feel like I gained a great deal by adding another perspective. Evie’s connection to the team makes the adventure personal right from the start rather than just something interesting to an outsider. Sebastian starts as kind of the person on the outside looking in, almost in a way representing the readers themselves, but as Sebastian gets more involved, the situation becomes more personal to him too. Sebastian’s development gives another dimension to the story. So I gained the opportunity to engage with the readers in more ways.

  1. Was there anything particularly challenging about writing this book? Or particularly fun?

Figuring out what they were searching for was oddly difficult. I knew it had to do with that mysterious exploration, and I knew all five members of the team had to be involved somehow. The key was not the first thing I thought of, though it definitely was the best choice once I thought of it.

As for fun, well, I always love writing animal characters. So I got very excited every time that opportunity presented itself. Of course, since the story all comes from my brain, I made sure to present such an opportunity to myself as often as possible. As you may have noticed . . .

  1. What other projects are you working on now?

I’m currently finishing up copy edits on the second book in THE EXPLORERS series, and will be shortly starting to write the third. And I am acting in a Fringe play this summer here in Toronto, a fun parody of Shakespeare called MACBETH’S HEAD.

  1. What’s the best writing advice you’ve heard?

It isn’t specifically writing advice, but I like to turn to Dory from Finding Nemo: “Just keep swimming.” There are so many things out of our control as writers. There are even things that are just pure luck. But the one thing we can do is just keep writing. That’s what we can take ownership of.

  1. What were your favorite books when you were a kid? And how about kid books that you discovered as an adult?

As a kid I was a big fan of both Beverly Cleary and Judy Blume. I also enjoyed the Encyclopedia Brown detective books a lot. And The Phantom Tollbooth by Norton Juster. My dad read me some grown-up books too. Lord of the Rings really stayed with me. And he also introduced The Hitchhiker’s Guide to the Galaxy to me as well. That book changed everything about how I looked at writing – and kind of life as well. As a kid I fell in love with the absurdity.

As an adult, well, I mean I guess I have to say the biggest kid book I discovered as an adult is probably the most obvious as well. I’m a huge Harry Potterphile. But can you blame me??

 

Katharine Manning now wants to make teeny hats for her cats. Anyone with miniature millinery skills, please get in touch. You can reach her here and at Mixed Up Files, as well as on Twitter, Instagram, and at www.katharinemanning.com.

LORD of MONSTERS by John Bemis

Do you like books with monsters and magic? Heroes and epic journeys? On June 6th, 2017 at a bookstore near you, one of the most imaginative books I’ve read in a long while will be released into the world. LORD of MONSTERS is the 2nd book in the OUT of ABATON series, and this Pinocchio retelling is sure to please.

Goodreads   |     Amazon     |     Barnes and Noble  |    Indiebound

Those of you who read THE WOODEN PRINCE will remember that it ends with Pinocchio transforming into a real boy. In the LORD of MONSTERS, Pinocchio must learn to adapt to being human at the same time as he’s figuring out his new responsibilities as a ruler (prester) of Abaton, along with his friend Lazuli, daughter of the former leader of Abaton, Prester John.

“But before they can get comfortable in their thrones, a fancy dinner at the palace is interrupted by an unwelcome guest-a monster! And this isn’t just any monster; it’s a manticore, a beast that was imprisoned centuries earlier. Desperate to locate the prison and make sure none of its other monsters were able to escape, Lazuli, Pinocchio, and their Celestial Brigade set out to save Abaton from these ancient beings.

Their journey requires intelligence, strength, and a dash of the magic only presters control. But when Pinocchio tries to use his powers, they have an unintended effect: he is turning back into a wooden automa. And if he’s not careful, he may lose his human form forever.

The second book in the Out of Abaton series continues John Claude Bemis’s reimagining of Pinocchio in an action-packed adventure that celebrates friendship, tolerance, and the power of being yourself.” –Goodreads

Sounds amazing, right? It is!

Two things set this story apart. The incredibly imaginative cast of characters and plot devices are unparalleled.  Also, themes of inclusion and tolerance are crucial to the climax. For me, this is an easy two thumbs up!

And now, it’s my pleasure to welcome John Claude Bemis to the blog!

LORD of MONSTERS has many unique characters (glowing aleya bubbles, a superfluous worm, mushroom men, …) and plot devices (thunderseeds, sleeping sand, an underground forest, …). Could you pick a few of these and tell us what inspired the idea?

John: Thank you! I had so much fun exploring the strange world of Abaton and all its fantastical inhabitants. I like contrast in characters, especially secondary characters. I knew I needed a misfit team of knights for Pinocchio and Lazuli and liked the idea of a pair of them being opposites. One small, one big. One gregarious and the other half comatose. Goliath, who is of a race of diminutive mushroom people, is feisty and fast-talking. While Kataton is a physically intimidating reptilian chimera who’s slow and lethargic. Something about this combo just seemed funny and ripe with possibilities and surprises.

The superfluous worm came about as a plot device honestly. I needed a way for the characters to communicate across long distances in Abaton, but I wanted to do something I hadn’t seen in other fantasy stories. So I invented Riggle, this worm who can be chopped in half and becomes essentially two Riggles. Whatever one Riggle hears, so does the other. So Pinocchio has one Riggle and his father Geppetto has the other and they can pass messages along through Riggle (er…Riggles). It also cracked me up to have a character so amiable about being severed in two. My sense of humor skews weird at times.

One thing that stands out in LORD of MONSTERS is the rich world-building. Will you share a few tips or tricks for creating these well-developed worlds that capture readers and pull them inside?

The trick to fantasy world-building is grounding it in reality. It needs to follow particular rules, even if the reader is unaware of the rules. I think Frank Lloyd Wright said, “Limits are an artist’s best friend.” I established in THE WOODEN PRINCE that the magic of Abaton revolves around the four elements. So in LORD OF MONSTERS, the various cultures needed to reflect how the magic of air, water, fire, and earth would affect cities, transportation, rituals, and everyday life. Also since Abaton is located in the Indian Ocean, I tried to give the world a feel that was connected to south Asia and east Africa with the food, geography, architecture, etc. It’s funny how much research you can do as a fantasy writer. You’d think we could just make it all up from our imaginations, but I find pulling from reality makes the most magical worlds.

In THE WOODEN PRINCE, Pinocchio transforms from an automa into a real boy. In LORD of MONSTERS, Pinocchio explores what it means to be human. What do you hope readers will take away from Pinocchio’s discoveries?

I feel very connected with Pinocchio’s journey. He just wants to understand what it means to be alive in the world—what it means to have friends and family, to handle adversity in an admirable way and to experience all the joys the world has to offer. His discoveries are, in a way, all our discoveries; they’re just amplified a bit because the world is so new to him. In the new book, Pinocchio wrestles with what it means to be given this gift of life and to have it potentially taken away. Once you’ve seen the other side, who wants to go back to being a dull automa? That’s heartbreaking. And breaking hearts makes for good storytelling in my opinion.

In addition to being an author, you also teach writing at various workshops and retreats. Where can we sign up?

I love getting to work with writers of all ages to help them deepen their craft and create stories that are singular to their artistic vision. My favorite writing workshop that I lead is at Table Rock Writers Workshop every August. The attendees are so talented, and we have plenty of time to dig in deep to what makes powerful stories for young readers. Also students get lots of individual feedback on their writing, so that makes it fun to see writers walk away at the end of the week with a whole host of new ideas for what to do with their characters and stories.

What can you tell us about what you’re working on now?

I’ve been developing a couple of new stories, which I’m sorry to say I’m real hush-hush about. But one is a middle-grade novel being shopped to publishers. The other is a YA sci-fi that I’m in the thick of revising. They’ve both been so much fun and are different from what I’ve done in the past. I promise I’ll be getting back to Abaton soon.

Lightning round (*hands John a brownie for strength):

If you had a superpower, what would it be? Teleportation, for sure. I’d pop over to Venice after dinner every night for a cup of gelato on the Strada Nova.

Wooden pencil or mechanical? Mechanical. I’m practical that way. But honestly, I’m most partial to the Pilot G-2 pen. I buy them by the dozens.

Coffee or tea? Tea first. Then midmorning, coffee.

Sweet or salty? I’m salty for sure.

Dog, cat, or other? Cats

Plotter or pantser? Unapologetically, a plotter

Any advice for all those aspiring authors out there? Don’t just think of writing as sitting in front of your laptop. Just as important is the time you spend thinking. So discover where you do your best creative thinking. For me, it’s taking long walks in the woods with a backpocket notebook. I call it my thinking walks. (It took my wife forever to believe that this was real work.) Having time on the trails to be deep in my imagination is where I hatch all my best character, plot, and setting ideas. Make time for it—wherever you can—ever single day. You’ll be rewarded with surprising story insights.

An inspiring speaker and entertaining performer, John Claude Bemis is the author of Out of Abaton: The Wooden Prince and Lord of Monsters, the Clockwork Dark trilogy, The Prince Who Fell from the Sky, and Flora and the Runaway Rooster. He received the Excellence in Teaching Award from UNC Chapel Hill’s School of Education for his work in the schools as an author-educator and served as North Carolina’s Piedmont Laureate in 2013. John lives with his wife and daughter in Hillsborough, NC. You can find him at his author website, on Instagram, and on Facebook.

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

Book Recommendation: Willow Born

Willow Born, by Shanna Miles, is a young adult story filled with magic, witches, angels, and demons. Add in a girl who comes back from the dead, attempts to navigate contemporary society, and a murder mystery, and you have the recipe for a great adventure.

Goodreads

Years ago, witch hunters came to Carolina and devoured the Willows. Sixteen-year-old Collette, a powerful empath, was one of them. A part of a long line of witches that stretches back as far as the slave auctions of Charleston, she was especially gifted.

Decades later, a series of strange kidnappings prompts a member of her secret coven to make a plea for help and Collette is chosen to answer the call. But things have changed. Angels have come out of the divine closet and everyone is on the lookout for the supernatural.

Snatched from the Void, she has to choose between a normal life and following the warrior path of the Willows, a coven she didn’t know she belonged to. Soon, problems pile sky-high as she struggles to keep the boy who could blow her cover at arm’s length and her sanity as family secrets come to light in the midst of a serial killer.

In the end it all comes down to destiny, death and the grey places between good and evil. But then again, when you’re Willow Born death can be just the beginning. (Goodreads)

I was hooked from the beginning when we learned Collette died and came back to life. I wanted to know what happened as much as she did and was thrilled to follow her on the journey. As well as learning about her past, we struggle along with Collette as she navigates high school, friends, and her crush.

Miles’s strengths are clearly in writing and descriptions, such as her use of color and movement to describe the emotions Collette sees in others. For example: “a milky-green anxiety is buzzing around him.” In addition, each character was fully developed with their own strengths, weaknesses, motivations, and unique voices. And she did not disappoint when it came to secondary characters.

If you love stories about witches, magic, and the past and present clashing, this is definitely the one for you!

Shanna Miles lives in Georgia and works as a librarian. She reads and writes young adult fiction and has a passion for paranormal romance. Check out her website for more of her work including flash fiction and short stories.

Willow Born will be available June 1st at Amazon and Barnes and Noble.

HALLI GOMEZ teaches martial arts and writes for children and young adults because those voices flow through her brain. She enjoys family, outdoors, reading, and is addicted to superhero movies. You can find her on Twitter.