Every life has a price in this sci-fi thriller that has the nonstop action of The Maze Runner and the high-stakes space setting of Illuminae. This is the first in a new three-book series that will take a group of broken teens to the far reaches of the universe and force them to decide what they’re willing to risk for a lifetime of fortune.
Emmett Atwater isn’t just leaving Detroit; he’s leaving Earth. Why the Babel Corporation recruited him is a mystery, but the number of zeroes on their contract has him boarding their lightship and hoping to return to Earth with enough money to take care of his family.
Before long, Emmett discovers that he is one of ten recruits, all of whom have troubled pasts and are a long way from home. Now each recruit must earn the right to travel down to the planet of Eden—a planet that Babel has kept hidden—where they will mine a substance called Nyxia that has quietly become the most valuable material in the universe.
But Babel’s ship is full of secrets. And Emmett will face the ultimate choice: win the fortune at any cost, or find a way to fight that won’t forever compromise what it means to be human. Excerpt taken from Netgalley.com
Could you turn down an offer of immense wealth and free healthcare for your mother with cancer? What if that offer would send you to the far end of the universe? Emmett and nine other teens are given the opportunity to join a team to mine Nyxia from a far planet. The reader accompanies Emmett as he fights for a spot on the team, faces the bait-and-switch tactics of the company running the mining operation, and strives to find friendship amidst the cut-throat competition he’s been thrown into.
Nyxia is action-packed and fast paced. I enjoyed the creative competitions the teens had to fight their way through for spots on the team and well as the fabulous properties of Nyxia, the valuable substance they’ll be mining. I found myself rooting for Emmett and even sympathizing with some of his less ethical competitors as the grueling contest drew to a close and the stakes got higher. Each character had something to lose if they didn’t make the team. I also found myself wondering exactly what the young miners would find when they reach their Eden, the destination planet. Nyxia is a fun read, great for lovers of sci fi and action-adventure.
I requested an advanced reader copy of Nyxia in exchange for an unbiased review.
Need more book suggestions? If Nyxia sounds good to you, you might also like these recent young adult science fiction releases: The Takedown by Corrie Wang Scytheby Neal Shusterman Genius: The Game by Leopoldo Gout
Failure is not a word I would associate with Pixar.
Over the last couple of decades, the animation pioneer has created some of my family’s favorite movies, including Up, Finding Nemo and Toy Story. Not a bad track record!
But when I read CREATIVITY, INC. by Ed Catmull, one of the founders of Pixar (with Amy Wallace), failure was one of the recurring themes.
Catmull says early on that wrote the book to reflect on Pixar’s success and offer a blueprint for business administrators who manage teams of creative professionals on how to maintain a successful creative company over the long haul.
But I found the book to be so much more than another entry in the business self-help genre. Instead, it was a fascinating peek into a visionary company that put story, creativity and excellence at the center of everything they do…which is what I aspire to do every time I sit down to write.
“To be a truly creative company, you must start things that may fail.”
Catmull believes that one of the things that dooms creative companies (and by extension, creative people) is refusing to risk failure. He spends an entire chapter — and a significant portion of the book — talking about the various failures he and his company faced as they reinvented animation for the computer age.
And even though I’m not an animator, it all really resonated with me. Because in my work as a copywriter and in my second life as a fiction writer, I have found that my very best work walks hand in hand with failure.
When I started out writing, I didn’t feel the same way – at all! I vigorously avoided anything that might lead to failure. I tried to keep plots simple, thinking that being too ambitious was a sure road to failure. I relied on tropes because they had led to success for so many other writers – and success was something I wanted.
Fear of failure can be incredibly debilitating. I know writers who have honed and polished their work for years, never querying for fear that they will be rejected. I know writers who send a few queries, get a few rejections, and abandon their project because they don’t want to know that the project of their heart has failed. And I know writers who refuse to budge from the plans they’ve laid out for their work or their career because they think to do so would mean they have failed.
At one time or another, I’ve been those writers, too.
But over the years I’ve learned that when I try an idea that seems too bold, too big for me to handle — when I risk trying something that might fail — I usually end up creating something more interesting than I ever thought possible.
“While planning is very important…there is only so much you can control in a creative environment.”
For me, one of the scariest things about taking a creative leap is the fear that I might not be able to pull it off, that I might fail.
As writers, we can’t control how our readers respond. Or whether an agent will resonate with our work. Or whether a publisher will choose to add it to their list.
Even once we get agents and publishing contracts and sales, our control is minimal, and failure is inevitable. How we respond can make all the difference between getting stuck and moving on.
In essence, I think welcoming failure into your writing is a letting go of control. And most of us writers – I’d argue most of us people! – don’t enjoy not being in control.
In CREATIVITY, INC. Catmull has a few suggestions on how to deal with the failure and loss of control that are inherent to the creative process:
Embrace it. Once you can start to see failure as part of the gig, you’ll have an easier time moving past those moments when you inevitably fail to meet your goals.
Share it. Get feedback at every stage of your work. As Catmull says, “I do not believe creative products should be developed in a vacuum.” And having support on your journey can make those failure moments sting a lot less.
Realize that failure helps you. The bolder and fiercer your work, the closer you walk to failure. If you’re failing, it means you’re pushing yourself.
The bottom line: don’t be afraid of failure. It’s there to help you become the best writer you can be.
And if you’re interested in Pixar, animation, or how the creative process works and is nurtured at one of the most enduringly creative and successful companies in the country, definitely check out CREATIVITY, INC.
RICHELLE MORGAN writes, works, plays and drinks too much coffee in Portland, Oregon. When not writing fiction for young adults and children, she pens fundraising letters and other marketing copy for progressive nonprofit organizations. Richelle keeps an occasional blog about nonprofit marketing and communication. She has also written feature articles for The Oregonian, and her short fiction has appeared in Voicecatcher. You can find her on Twitter.
Brave New Girls: Stories of Girls Who Science and Scheme is a collection of 22 stories about brainy young heroines who use their smarts to save the day. Edited by author Mary Fan, the anthology’s goal is to inspire girls (ages 12+) to study science and engineering. Even better, proceeds from the anthology fund scholarships for women through the Society of Women Engineers. The first Brave New Girls anthology, released in 2015, has provided several thousands of dollars’ worth of scholarships. Hopefully, this new anthology will provide many, many more, enabling more young women to pursue STEM careers!
Check out this fun Book Trailer for the anthology!
Here are a few quick links where you can purchase the anthology to inspire all the #STEM girls in your life. And don’t forget, proceeds from the sale of the anthology provide scholarships for women to study engineering through the Society of Women Engineers, so please spread the word!!!!
We’ve invited two authors from the anthology, the Winged Pen’s Michelle Leonard and fantasy author Karissa Laurel, to talk about women in science and science fiction.
I’d love to know how each of you ended up being passionate about women of science? What sparked the story you wrote for the anthology?
Karissa:In my careers, I’ve tended to pursue the artistic and creative (not that there isn’t room for creativity in science and vice versa). However, I was raised by a woman of science. My mom was a biology major in college and spent years working as a cytologist. When I was in elementary school, she decided to change careers and went back to school to learn how to be a computer programmer—this was in the mid-to-late 80s. At the time, I didn’t understand it was rare for women to make that kind of career choice. I simply thought my mom could do anything she put her mind to. She’s always inspired me, and only as I get older do I realize what a pioneer she was.
Michelle: I fell in love with science when I took high school chemistry. Everyone else hated our teacher. She was stern, like a drill sergeant, not at all warm. But Mrs. Davis was the smartest person I’d ever met, and she was black. Her fierceness and passion for science made an immediate impression on me (picture the Beyoncé of Chemistry, without all the razzle-dazzle). I became infatuated with learning everything Mrs. Davis could possibly teach me. We became good friends, even though she remained very stern, and distant, only referring to me by my last name. I often stayed after school to help her set up the next day’s lab, or I would grade tests and homework for her. She insisted that I should become an engineer and asked my guidance counselor to help me land an after-school job to make sure I’d have enough money to go to college.
The main character in my story, a biracial fifteen-year-old named Nina Jessup, is a mash-up of my chemistry teacher and me. Nina uses the blue LED technology I developed as an engineer to fight against something that has deeply troubled me and that I’ve fought against my entire life: racism.
Mrs. Davis has long since passed, but I’ve always felt indebted to her for her inspiration. I’m not a teacher, but I’ve always wanted to do what she did for me for someone else. This story is one attempt to do just that.
What are some science-girl clichés you’d love to see squashed and do you have a book or movie recommendation that does it well?
Karissa:The first that comes to mind is the “Velma” cliché—yes, Velma from Scoobie Doo. Women in science are often portrayed as nerdy, stiff, robotic, and cold. Despite its flaws, the new Ghostbuster’s movie with Melissa McCarthy and Kate McKinnon made me unbelievably happy because it represented a group of women with disparate and varying personalities all brought together by their passion for science. It took the women who are usually given “sidekick” status and made them the protagonists and heroes.
Michelle: I whole-heartedly agree with Karissa, but I also get annoyed seeing female scientists portrayed as hot scientists because it’s the twisted trope, the opposite of a “Velma,” and diminishes respect for females in the profession. I’m also not a fan of mad scientists, especially in children’s literature, because it gives kids the wrong impression about science. Hello, does anyone want their child to grow up to be an evil genius? Most scientists save lives and work passionately to make the world a better place. Hidden Figures is a wonderful example of a movie/book showing the obstacles real scientists, especially women and minorities, face every day in their quest to advance knowledge for society and to protect our Earth and all its precious creatures. Those are the stories about scientists that kids need to hear.
Now, a bit of fun.
Time machine to travel back and forth in time or ability to stop & restart time at your will?
Karissa:Dozens of books and movies have taught me that messing with the past or future is dangerous, and it’s impossible to calculate the consequences. Maybe killing Hitler before he came into power, or saving JFK from assassination, might have made the world a better place. But how are we to know it wouldn’t have made it worse in some way? I think I’d like to be able to stop and restart time. Now that I’m a mother with a teenager, it seems like the days are flying by. He’s growing up too fast, and I’m growing older too fast. I’d love to be able to slow time down, on occasion.
Michelle: I’m with Karissa in believing that messing with the past could have unintended consequences, but I would do anything to be able to flash back to 1938, right as nuclear fission was discovered, to prevent the development the atomic bomb. The devastation at Hiroshima would be erased. I’d love to be able to stop and start time too. I could squeeze so much more reading in that way. *wiggles eyebrows.
Magical powers or computer brain?
Karissa:I think what looks like magic is often just science that we don’t yet understand. I love that magic offers so many possibilities and would probably choose that answer, but having a computer brain, if it were big enough and complex enough, might serve the same purpose. With magic, maybe I could heal a person’s cancer. With a computer brain, maybe I could come up with a cure. Both powers come with a great need for responsibility and a strong moral ethos, however. To quote Stan Lee: “With great power comes great responsibility.”
Michelle: Scary news alert! We already have the technology to computerize our brains. So far, it’s being used mostly for medical purposes, but the possibilities are limitless and truly frightening. Magic, on the other hand? Yes, please sign me up!
You guys are the best! This was too fun.
Karissa Laurel lives in North Carolina with her kid, her husband, the occasional in-law, and a very hairy husky named Bonnie. Some of her favorite things are coffee, chocolate, and super heroes. She can quote The Princess Bride verbatim. On weekends, you can find her at flea-markets hunting for rusty things to re-use and re-purpose. She is the also the author of The Norse Chronicles, an adult urban fantasy series based on Norse mythology; and The Stormbourne Chronicles, a young adult fantasy and steampunk series. More information about those is available at her website. You can also connect with Karissa on Facebook, Twitter, Instagram, Pinterest, and Goodreads.
Michelle Leonard was born to be a math and science nerd. After spending over ten years working with an engineering dream team developing commercial blue light-emitting diodes (LEDs), she escaped the world of seventy-hour workweeks. Nowadays, when Michelle’s not tinkering on her teleporter for transporting her talented daughters to important gigs or pushing books into young readers’ hands at her local Indie bookstore, she’s turning outlandish thoughts into stories for young readers. She lives with her science-savvy husband, three inspiring daughters, and a border collie who hates numbers. Connect with her on Twitter and Instagram.
Three gutsy protagonist, three continents, three different time periods. How’s that work? Well, you won’t have to wait much longer to discover how middle-grade author Alan Gratz weaves these interconnecting stories together in a way that Kirkus Reviews has called a “feat nothing short of brilliant.” His latest novel REFUGEE hits bookstore shelves on July 25th, 2017.
We are delighted to talk with Alan Gratz about REFUGEE and writing.
Welcome, Alan! Tell us about your inspiration for REFUGEE.
The idea for Refugee came from a number of different places, over the course of many weeks. It began with the story of the Jewish refugees on board the MS St. Louis. I was looking for a way into that story when my family and I took a vacation to the Florida Keys, and we woke one morning to find a raft on the beach that refugees had used to come to America. We had no way of knowing where the raft had originated, or if the people who set out in it had made it to safety, but it got me thinking about how so many people are risking their lives every day to have what I and my family have.
I wanted to tell the story of the MS St. Louis, but now I also wanted to write something about Cuban refugees coming to America by raft! And then—this was in early 2016—we came home every night to reports on the news and the Internet about the Syrian refugee crisis. I wanted to write a book about the MS St. Louis, I wanted to write a book about Cuban refugees coming to America, and now I wanted to write a book about the plight of Syrian refugees! Finally I realized—what if I wrote a single book about all three, linking the families across the ages and across the globe? That’s how Refugee was born.
You often write about young people tacking adversity head on. What do you hope readers will take away from REFUGEE?
I want young readers to see refugees. My family and I knew refugees were risking their lives to come to this country officially and unofficially every single day, but because we don’t live on the front lines of that struggle, we didn’t see it every day. Out of sight was definitely out of mind. I hope that Refugee does for young readers what that raft on the beach in Florida did for me and my family: make the invisible visible again.
I also hope that young American readers understand that, unless their family is Native American, we are ALL immigrants. Whether their families came over on the Mayflower, or came here on a raft last year, we’re all Americans, and it’s that immigrant melting pot that made this country great, and continues to do so.
Whew! In 2015, 2016, and 2017 you’ve released two middle-grade books each of those years? How?? Magic, time turning? You’ve gotta share your secret. Okay, maybe you don’t have to tell us, but you’ve obviously figure out some strategy to getting words on a page. What tips do you have for us on making time to write?
Did I? Oh, wow. I guess so! Pardon me while I go pass out… Seriously though, I’m not happy unless I’m writing. I’ve been doing a lot more school visits of late—I think I did more than a hundred last school year!—which also takes away writing time. So the first thing I had to do was say no travel for six months out of the year: December through February, and June, July, and August. (I still break that rule all the time, but I do TRY to hold to it.)
Then, for those six months, I’m working on new books all the time. For my historical novels, I do about a month of heavy research for each, where I’m doing nothing else during my “writing” time but reading books about my subject and taking notes. Then once I’ve got enough research to build a rough story, I’ll start working up an outline. I’m a big proponent of outlining. It takes me another month to create a detailed outline, where I lay out what happens in every single chapter.
During this time, I’ll also work on character creation and do fill-in research for parts of the story my first round didn’t cover. Then, once all that pre-writing is done, I can usually write a first draft in about a month, at the rate of about two chapters a day. That’s my three month block! I turn the book in, and my terrific editor takes over. She’ll get the book back to me while I’m on the road visiting schools again, and then I’ll begin the revision process when I get back.
All the traveling I’m doing now may knock me down to one book a year, but that’s probably better for my sanity in the long run. But I learned to be a disciplined writer doing non-fiction advertising and marketing work before I was a novelist, so when it’s time to get writing done, I just sit down and do it!
Your other 2017 middle-grade novel, BAN THIS BOOK, releasing next month, has a main character, Amy Anne, who is a girl after my heart. Tell us something about the story that will make us want to add BAN THIS BOOK to our Must Order and To Be Read ASAP List.
Well, I’ll give you the elevator pitch first: Ban This Book is the story of a fourth grade girl who goes to a school where a parent start banning and challenging books. As a protest, Amy Anne takes those books and hides them in her locker and starts checking them out to other students in secret as a Banned Books Locker Library. And all the kids’ books that are banned in the story have actually been banned in the last couple of decades in America! It’s (what I hope is) a funny, heartfelt story about the issue of book banning, as well as my love letter to middle grade novels.
What can you tell us about what you’re working on now?
When I visited Japan seven years ago, I met a man who had been a young boy on Okinawa when the Americans invaded in 1945, toward the end of World War II. He told me that the Japanese Army pulled him out of school, lined him up with the other middle school boys, and gave them each a grenade. Their instructions: go off into the forest and don’t come back until you’ve killed an American. That’s the first chapter of the new book I’m writing, which I’m calling Grenade. That will be out in late summer/early fall of 2018.
Buckle up for the…Lightning Round (*hands you a slice of pepperoni pizza for strength)
If you had a superpower, what would it be? Super speed! The Flash is my all-time favorite super hero.
Wooden pencil or mechanical? Always wooden. I never got the hang of mechanicals.
Coffee or tea? Coca-cola!
Sweet or salty? Always salty! If I could live on French fries, torilla chips, and popcorn, I would. Or maybe I already do…?
Dog, cat, or other? I’ve had both, but the answer is dog. Mine’s name is Augie. He’s a rescue mutt.
Plotter or pantser? Plotter! (As you now know!)
Any advice for all those aspiring authors out there?
You’ll hear this from a lot of professional authors, but that’s because it’s true: talent matters, but what really gets you published is persistence. I’ve met so many writers who give up after one or two rejections. You have to keep sending your stuff out, and keep getting rejected until someone says yes. And while you’re sending out one book, start writing the next. And the next. And the next.
I was still subbing (and getting rejection letters for) the first two YA novels I’d written when I wrote Samurai Shortstop, which would ultimately become my first sold and published novel. I’ve never sold those previous two manuscripts—they just weren’t good enough. Write, write, write, submit, submit, submit, and get better at what you’re doing with every attempt. Then, if you stick with it long enough, you’ll break through.
What an inspiring interview! Thank you so much for taking the time to talk to us! And best of luck with both of your new books!
Alan Gratz has been putting kids in fictional danger since 2006. You can find out more about Alan and subscribe to his newsletter by visiting Alan’s website.
MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short storyIN A WHOLE NEW LIGHT , about a teen girl who uses technology to fight racism, will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 1, 2017. Proceeds from the anthology will be used for scholarships for the Society of Women Engineers! Connect with Michelle on Twitter.
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We’re psyched for the launch of Winged Pen member, Kristi Wientge’s, middle grade debut. Karma Khullar’s Mustache will hit bookstore shelves on August 15th! We invited Kristi and her agent, Patricia Nelson of the Marsal Lyon Agency, to talk about Karma and how this story became a book.
Patricia, what first drew you to Karma Khullar’s Mustache?
Patricia: I knew when I first started reading that this novel was the whole package. First of all, as a huge Judy Blume fan, I’m always drawn to contemporary middle grade that deals with the uncomfortable realities of growing up, and I had never seen an MG novel about body hair before, so that made me intrigued right from the pitch. Then, on top of having a great concept, Kristi’s writing had a fantastic specificity – every character in the book, from Karma’s best friend to her obnoxious brother, felt perfectly real, like they could just step right off the page. I was struck by what a great job the book does of braiding together issues of family, friendship, culture, and body image to show all the layers of Karma’s world. Plus, perhaps most importantly of all, Karma’s voice stood out—as a narrator, she’s funny and insightful and has a very unique way of looking at the world that’s relatable while also being completely her own. I loved her right from the first chapter!
Kristi, what made you feel comfortable putting the sale of your story in Patricia’s hands?
Kristi: I actually spent the few days between my email with her and the day we had the call set up scouring every blog post for lists of questions I should ask. Can you believe it that straight away Patricia basically ticked right down my list of questions without me even having to ask a single one?! Not only did that win me over, but it was also her complete excitement for Karma. I felt that she really got what I was going for.
Patricia, what are middle grade readers looking for in a story?
Patricia: Voice is a huge part of it! Kids have exceptionally well-tuned BS detectors, so the voice really needs to feel genuinely and authentically “kid,” not like an adult trying to sound like a kid. Beyond that, pacing is key in this category—the story needs to move along swiftly, with enough exciting plot developments going on to keep a young reader turning the pages.
Kristi, does Karma have a superpower? If so, what is it?
Kristi: Karma is resilient, super hero resilient.
Patricia, what would you say Karma’s superpower is?
Patricia: I’d say Karma’s superpower is how inventive and imaginative she is—she definitely has no shortage of creative mustache-elimination ideas. 🙂
Kristi: I understand you have a surprise for Winged Pen readers today.
Kristi: We have a giveaway! Win a copy of Karma Khullar’s Mustache by commenting below by 5 p.m. EST on July 17th. The name of one lucky winner will be pulled from the Tri-wizard cup!* International entrees welcome!