Interview with Melissa Roske Author of KAT GREENE COMES CLEAN

Melissa Roske is the author of KAT GREENE COMES CLEAN She completely embodies the MG writing community because she’s about the friendliest and most supportive person you will meet. Before I talk to Melissa, here’s more about her book: 

Eleven-year-old Kat Greene has a lot on her pre-rinsed plate, thanks to her divorced mom’s obsession with cleaning. When Mom isn’t scrubbing every inch of their Greenwich Village apartment, she’s boiling the silverware or checking Kat’s sheets for bedbugs. It’s enough to drive any middle schooler crazy! Add friendship troubles to the mix, a crummy role in the school play, and Mom’s decision to try out for “Clean Sweep,” a competitive-cleaning TV game show, and what have you got? More trouble than Kat can handle—at least, without a little help from her friends.

I’m so excited about this book, Melissa! I recently finished OCDaniel and it’s definitely one of those books that has stuck with me. You also tackle OCD in your book and it’s both personal to you and underrepresented in MG lit. 

Would you like to let us know how OCD has played a part in your life and how it inspired Kat’s story?

This may sound strange, but OCD played a huge part in my life while I was growing up, but I didn’t know it. Let me explain. My dad used to check the locks on the front door, as well as the gas jets on the stove, over and over, especially before he went to sleep at night. I figured he was just being careful, but I now know he had OCD. Even stranger, it wasn’t until I was done writing the book that I realized that the mom in the story, who has a cleaning compulsion, is actually based on my dad. It honestly hadn’t occurred to me, at least not on a conscious level. My dad, however, in addition to being a “checker,” is the opposite of Kat’s mom. He is extremely messy and keeps everything. I actually found an expired credit card in his wallet from 1998! I have some OCD symptoms too, like the need to have my window shades fixed at a certain level, and feeling uncomfortable if a drawer is left open or a cabinet door is ajar. Still, I wouldn’t say my OCD adversely affects my life. It’s just annoying, and disconcerting at times. To my family, and to myself.

You’ve had a pretty prolific career from an advice columnist to a life coach. What was it that made you choose writing as your next career?

I’d always been interested in writing, especially creative writing, but it wasn’t until I was working as a life coach, helping my clients achieve their goals, that I realized I wasn’t achieving my goal: to write a novel. So I hired my own life coach, the amazing Sara Lewis Murre, and got down to work. Sara helped me to stay on track by holding me accountable for my writing goals. She suggested, for instance, that I establish a regular writing routine, using a timer for each session. I wasn’t allowed to leave my chair until the timer dinged! I also tried to adhere to a daily word count, which helped. Little by little, the words added up until I had an 80,000-word novel. It was chick-lit novel that ended up in my drawer, but that’s beside the point, isn’t it? 

How long did it take you to complete KAT?

As above, KAT was not my first book. My first book was a chick-lit novel called Good Girls Don’t Go Commando. I suspect the title was better than the book, because I was unable to obtain literary representation. Several agents actually liked the premise and requested pages, but apparently chick lit was “dead” and nobody thought the book would sell. Keeping that in mind, I decided to try my hand at another genre: middle-grade fiction. I wrote the first draft back in 2011. It was only 100 pages long, but I knew I had something I could work with, so I did another draft. And another. And then another. A billion drafts later (!), I started querying agents. Within a year I had representation, but the manuscript didn’t sell and my agent and I parted ways. I then rewrote the novel from top to bottom, changed the title, and started querying all over again. This time I found an agent who was able to sell the manuscript. I signed the contract with Charlesbridge in 2015.

What’s been the most surprising (or maybe frustrating) thing about the process of getting published?

How long everything takes. There’s a lot of waiting involved, which can be very, very frustrating. Still, I remind myself that waiting is part of the process, and there’s nothing I can do about it. Unfortunately, patience isn’t one of my strong points, so I need a lot of reminding!

I hear ya! And I think everyone in the query trenches can attest to this too. Thanks for joining us and all the best with KAT now out in the world!

If you want to know more about Melissa or her book, check her out here:
WebsiteFacebook / TwitterGoodreads

and her book here:

Amazon/ Barnes & Noble/ IndieBound/ Goodreads  

 

 

Kristi Wientge is the author of KARMA KHULLAR’S MUSTACHE.

Meet Jada Jones! New chapter books by Kelly Starling Lyons

Happy Birthday to Jada Jones! She’s a “rock” star and a good citizen in two new chapter books released September 19th by Kelly Starling Lyons and illustrated by Vanessa Brantley Newton.

 

 

 

 

 

 

 

 

 

Goodreads: Rock Star                                                           Goodreads: Class Act

“Jada Jones thinks there’s nothing cooler than rocks. So, when her teacher gives the class a group project on rocks and minerals, Jada knows she’s going to rock the assignment. Her only problem is finding a group of friends to work with. For Jada, rocks are easier to find than friends. Or are they?” –back cover of JADA JONES ROCK STAR

These five sentences sum up my entire childhood. I was always the kid who liked things no one else liked—slime mold, rocks, microscopes, math homework. But Jada has skills I didn’t have. Not only does she “rock” science, but in JADA JONES ROCK STAR she figures out how to “rock” friendships too. What I would have done to have a friend like Jada while growing up!

This chapter book wins 5 🌟🌟🌟🌟🌟 stars from me for being fast-paced and easy-to-read with relatable, interesting characters including BFF to all, Jada Jones❤️. Add to this Jada’s love of science and Vanessa Brantley Newton’s gorgeous illustrations––and BOOM! This becomes a book I’m excited to recommend to all my young friends. I can’t wait to feast my eyes on CLASS ACT because it’s about another topic near and dear to me:  being a good citizen!

But don’t take my word for it! Kirkus and School Library Journal think these are top-notch reads for young readers too!

Hurry to your local bookstore to ask for them.  Indiebound   Barnes & Noble  Amazon

I’m honored to have Kelly Starling Lyons here to talk with us about Jada Jones and writing. Kelly is the award-winning author of many books for young people including ONE MORE DINO ON THE FLOOR, HOPE’S GIFT, ONE MILLION MEN AND ME, ELLEN’S BROOM, and one of my favorite’s TEA CAKES FOR TOSH. She is also a member of The Brown Bookshelf, which you can learn more about in Kelly’s interview at From the Mixed Up Files. What I love most about Kelly’s stories is they’re always about special moments, the perfect antidote for our fast-paced world. Not only do her stories linger with you, but I often find myself reflecting on my own memories after reading one of her books. What a beautiful gift to readers!

Welcome, Kelly! Thank you so much for taking time out to talk with us at The Winged Pen!

You’re the author of several picture books including ONE MORE DINO ON THE FLOOR, ONE MILLION MEN AND ME, and many others including one of my favorites, TEACAKES for TOSH. How was the process for writing a chapter book different from writing a picture book?

Thanks so much for your support, Michelle. You have to write tight with a picture book. You want to create visual scenes that open up illustrative possibilities for the artist who is your storytelling partner. Lyricism and rhythm are important, because picture books are often read aloud.

Writing a chapter book meant I had more space to tell the story. I could include more description and dialogue. Kids would be reading these stories mostly on their own, so I needed to end each chapter with a little hook to keep them turning the page. My first book, NEATE: Eddie’s Ordeal, was a chapter book. It was cool returning to that genre.

Jada Jones loves rocks in book one, runs for class representative in book two, and is overall a great role model for citizenship and navigating the friendship woes that most of us have experienced. Do these experiences come from your own childhood?

 Jada is mostly inspired by my daughter and girls I’ve met during school visits. But there’s a bit of me in her too.  I collected rocks as a kid. My favorite was a hunk of quartz I found when visiting an aunt in Eden, NC. Like Jada, I cared a lot about friendships. Her experiences in the books celebrate the bravery and resilience of smart, big-hearted kids I know.

It was important to me to center an African-American girl. We need more chapter books featuring kids of color. I’m proud that Jada will help kids see themselves and their friends.

The illustrations from Vanessa Brantley Newton gives me the same happy, warm feeling that the text does. Have you worked with her before? Did you have any input in the illustrations?

Vanessa is my sister-friend. I’ve always been a big admirer of her art, but I haven’t worked with her before. I feel so blessed that she’s the illustrator for the Jada Jones series. She captured Jada’s joy, brilliance and sensitivity in such a lovely way. The final decisions regarding artwork are up to the art director, illustrator and editor. But my editor did share Vanessa’s wonderful sketches with me and gave me the chance to share thoughts.

Will there be more Jada stories? I hope so. If kids really like the first two books, that could bring the chance for more. Crossing my fingers.

What can you tell us about what you’re working on now? I’m working on a picture book biography of an unsung African-American trailblazer and a forthcoming picture book that celebrates family coming together to honor their heritage and land.

Whoa! Those books sound awesome! Here goes the Lightning Round? Hands Kelly a chocolate bar for strength!

If you had a superpower, what would it be? Healing

Wooden pencil or mechanical? Wooden pencil.

Coffee or tea? Tea.

Sweet or salty?  Both. I love chasing something salty with something sweet like popcorn with chocolate.

Dog, cat, or other?  Dog.

Plotter or pantser? Both.

Any advice for all those aspiring authors out there? The best advice I received was years ago at the Highlights Writers Workshop at Chautauqua. Editor Patti Gauch told us to “write the story only you can tell.” Dig deep and find stories that celebrate children and are informed by who you are. Another piece of advice I give to emerging authors is don’t let rejections get you down. All it takes is one yes.

Thank you again, Kelly! Happy book birthday to you and wonderful Jada!

Kelly Starling Lyons is an award-winning author,  a writing mentor active in SCBWI, and a member of The Brown Bookshelf, a group dedicated to spreading “awareness about the myriad of Black voices writing for young readers.” Visit her website to learn more about her. And Jada has a website too! 

MICHELLE LEONARD is a math and science nerd, a children/teens bookseller, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT , about a teen girl who uses technology to fight racism, is in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME. Proceeds from the anthology go towards scholarships for the Society of Women Engineers! Connect with Michelle on Twitter.

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A New Writing Podcast! MOM WRITES: THE DIRTY LAUNDRY ABOUT WRITING WITH KIDS

Mom Writes Podcast, Jennie Nash I subscribe to Jennie Nash’s newsletter and read her blog posts. She’s an instructor at the UCLA Extension Writing Program; the founder of Author Accelerator, a book coaching company; and generally a smart lady. So when I read that she was involved in a new writing podcast I wanted it to know what it was about.

Mom Writes: The Dirty Laundry about Writing with Kids is the brainchild of Abby Mathews, an unpublished writer mom. Abby was struggling through the process of writing a book with young kids underfoot. She guessed that she was not the only one who’d started stories and run into difficulties along the way and had the idea for a series of podcasts showing Author Accelerator’s step-by-step process for helping writers. In the podcasts, Jennie discusses the challenges of just getting a book written at a quality level that would pique the interest of traditional publishers, let alone accomplishing this with several kids and their friends dashing through the house or dribbling a basketball in the room overhead. Jennie will lead Abby and her friend, Melanie Parish, through the Author Accelerator’s Blueprint for a Book program, critiquing their manuscripts and helping them to do everything from identify their ideal reader to strengthen their story concepts to improve their writing skills. The podcast will also include tips from other Author Accelerator writing coaches and tips and encouragement from writers who’ve used the program.

Does it sound like an infomercial? I was a bit nervous about that. But as Jennie talks about why writers have trouble finishing their stories and face rejection when they query literary agents, you can hear how much she cares about helping writers improve. And what better way is there to work through common writing problems than by listening in as Jennie helps Abby and Melanie fix their stories?

I invited Jennie, Abby and Melanie here to talk a little more about their podcast.

Rebecca: Jennie, thanks for this podcast! As someone who has been writing for seven years and still does not have an agent, I would have loved to have had this podcast earlier in my journey! You talk in the first episodes about why writing a book seems a lot easier than it is. Can you give Winged Pen readers a sense of this?

Jennie: Yes! So the tricky thing with book writing is that book reading is a thing most of us do Jennie Nash, Author Accelerator, Mom Writes Podcastalmost every day, and have been doing almost every day for many years. In that way, it’s more akin to eating breakfast then it is to, say, flying an airplane. Most of us have never flown an airplane and never will. We also don’t presume that we have the slightest idea how to do it. Anyone who gets into the cockpit of a plane with the intention of flying it has embarked on a rigorous training program, passed tests and shown competence. But because reading is so familiar to us — an activity that we love and cherish, and probably consider ourselves quite good at  — we often presume that we know how to write a book that will captivate a reader. We imagine that we could just sit down at the keyboard and craft a compelling narrative.

But very often, we can’t.  At least not our first time out, or even our second or third or fourth.

Writing a book may not be as complex an undertaking as flying a 747, but it is still a very complex undertaking. Whether it’s fiction or nonfiction, you are making a myriad interrelated choices and designing a logical framework and organizing a ton of material and determining a structure and deciding on a point or argument and considering your audience, and deploying various skills (skills related to scene structure, dialogue, body language, language use, narrative drive, pacing, flow and, resolution) and underneath it all is a great deal of emotion — your emotion, your reader’s emotion, and in fiction, your character’s emotion.

It’s a lot! And many writers simply underestimate how hard it is — or how hard it is to do well.

Rebecca: Abby, you are sharing your manuscript, mistakes and all, with the Internet! That’s very brave! Why did you decide to take time out from your writing to create the Mom Writes podcast?

Abby Mathews, Mom Writes PodcastAbby: You know, deep down it’s probably just the teacher in me! In my former life (BC, before children) I was a high school art teacher. I can’t tell you all the crazy things I learned how to do in the name of teaching. Once the kids had the idea to make a really, really big block print but we didn’t have a large enough printing press. To solve the problem I learned how to turn a car into a printing press! So, see, this isn’t the craziest thing I’ve ever done. But it does feel pretty close.

At one point in an early episode, Jennie told me that an agent wouldn’t have made it past page one of my manuscript. Page one! That’s when I paused and thought, “Oh my god. It’s really bad! I am insane for doing this in front of a live studio audience…” (Well, not live, but you get what I mean!) After the initial sting wore off, it occurred to me this is exactly why I have to do it. I’m putting all my dirty laundry out there because I know I’m not alone. I know there are others out there just like me- like us- toiling away at their kitchen tables trying to teach themselves how to do this massive thing. And we need help. Because this problem is not going to go away. Writing is a curse, and one bad manuscript isn’t going to lift it. I’m on my third bad manuscript and I keep coming back for more!

My solution was to find professional help. (And book coaches seem to double as therapists, so trust me, it’s a lot of bang for your buck!) I feel confident that coaching is going to help me write the book that’s in my head- the one where readers don’t just make it off the first page, but to the end of the novel and want to come back for more. I’m so confident, in fact, that I am willing to lay it all out there to teach others how to do it as well. Even if it is super embarrassing!

Plus, I won’t lie, having to publicly answer for my work keeps me on track!

Rebecca: Jennie, what are some of the common writing problems that you’ll be talking about in the podcast?

Jennie:  Abby and Mel are perfect “subjects” to show how the chaos of creativity can be tamed because they exhibited all the most common problems! Neither of them had really thought before they started to write. Like so many writers, they just liked to write and felt called to write and started to write. (This pull is often very strong for moms of little kids because it’s one time in your day when you can just rest in the musings of your own mind. You don’t have to make sure no one is going to stick a fork in the electrical outlet or figure out how to make a dinner for one kid who won’t eat anything but white food and another who won’t eat anything but green. )Then Abby and Mel did what writers tend to do next — they went to conferences and workshops and writing groups, and kept writing, and really just kept digging their holes deeper — the holes caused by lack of thinking first.

So by thinking first I don’t mean plotting. I don’t mean giant grids of scenes. I mean understanding your story’s deep-level WHY and bringing that to the visible surface, and working to let the reader IN. That’s the work most writers skip — and skipping it leads to all the writerly problems, from openings that wander to middles that sag to ends that fall flat — and Abby and Mel were no different.

What’s fun is that Abby is writing a middle grade fantasy starting from scratch and Mel is revising an adult sci fi dystopian thriller so, in addition to the common problems I mentioned above, we get to dig into a lot of different problems from a topical standpoint — so everything from the logic of an imaginary world, to the motivation of a villain, to a character’s true desire.

Rebecca: Melanie, you guys got a lot of feedback on your opening pages from Jennie. What was it like to go back to those pages and revise after the feedback.

Melanie:  I’m not gonna lie, it felt a bit brutal at first.  Neither Abby or I had a lot of Mel, Mom Writes Podcastexperience being edited.  It was eye-opening, though, and I personally felt so much clarity on my story afterwards.  I had been unable to articulate what was wrong with my draft and Jennie was able to pinpoint exactly where I had gone wrong and how to fix it.  She doesn’t do the work for us, and I don’t feel that as a book coach she is taking me in any one direction vs another.  It’s more like she’s asking the right questions in order to help me find my own answers – questions that I initially didn’t ask myself when I first started writing my novel!  We are learning so much about the process that one can (and maybe should!) do before you write a single word of your story.

I’d like to thank Jennie, Abby and Melanie for joining us on the Winged Pen today! Mom Writes launched September 15th and is available here. Check it out! And tune in for our Twitter chat on October 2nd, 8 pm EDT, 5 pm PT to Tweet live with Jennie, Abby and Melanie, find out more about Mom Writes, and get tips on writing with kids constantly pulling on your elbow!

REBECCA J. ALLEN writes young adult science fiction with heroines much braver than she is and middle grade stories that blend mystery and adventure. She on Twitter at @RebeccaJ_Allen and her website is writerebeccawrite.wordpress.com.

An Interview with Manuscript Academy co-founder Jessica Sinsheimer

Manuscript Academy Happy #MSWL day! Today, agents and editors from around the world will Tweet their wish-lists. It’s a great way to fine tune your query list and to get an idea of what editors are looking for as well.

Manuscript Wish List co-founder Jessica Sinsheimer has been hard at work on another project recently as well: The Manuscript Academy. She stopped by The Winged Pen to chat with us about this exciting new opportunity for writers.

You already do so much for the writing community by running the amazing Manuscript Wish List, what made you decide to add The Manuscript Academy to your repertoire?

It’s actually an idea that had been brewing for years.  I was invited to speak at a conference a few years back—an amazing conference, one that sounded like so much fun. But, when I asked about travel stipend, they said that there wasn’t one—I could only get discounted admission. So I started pricing it out, and soon realized it would be well over $2,000 to attend. Worse, some told me that if I “really cared” about my career, I’d pay it.

It had never occurred to me that the events I attended regularly could be so expensive for writers—and that’s before considering the logistics of childcare, health, religious obligations, family needs, and just plain time. Plus, there’s just so much pressure to go—probably even more than was put on me, because I get to attend so many. It just seemed incredibly unfair. Having money shouldn’t be a prerequisite to a writing career. So this stayed with me, as a problem we needed to solve as an industry, but I didn’t know how.

But then co-founder Julie Kingsley and I met—thanks to a wild coincidence of her being on a bus to Book Expo with my colleague, then invited to networking drinks—and I was so impressed with her knowledge of the film, media, tech, and startup worlds. These were things I assumed were out of my reach forever, however fascinating I found them. But we quickly realized that, together, we could finally make something like this happen—and bring the conference to writers, in a way that’s accessible to so many more.

The concept is great–prerecorded content from industry professionals with unlimited access for thirty days for a price lower than any writing conference around, plus a series of live pitch sessions, critique sessions, and live webinars. How has the reception been so far?  

It’s been incredibly exciting. If anything, there’s been a LOT more enthusiasm than I expected (though I’m the pessimist of the group!) I mean, new different things are scary! Especially new, different things with technology. But we now have about 700 members, and the community is only growing. Lots of members are getting agents and book deals. We’re actually going to start making “class reunion” events to keep everyone in touch, because these are the people who are going to grow, learn, and eventually succeed together.

It’s always been important to me that we price everything as low as we can while still paying every single person who works for us—including those who helped Xerox and hold doors and organize agents and get snacks on filming day—a living hourly wage. We work with incredibly talented, kind people. And I’m thrilled that we could pay everyone right away.

There are lots of online writing courses out there and I know from experience that the quality varies greatly. How do you select faculty? How would you recommend writers decide how to spend their precious personal development dollars?

We select faculty not just for their brilliance but for their openness, kindness, and breadth of interests. I know it’s so scary to find yourself face to face with an agent—even if it’s through a screen. I wanted to be sure that I could trust everyone to handle that with grace, warmth, and kindness—to turn in work on time—and to bring new insight to their classes.

It’s true—there is SO much content out there. But we were very thoughtful about every single faculty member, every choice of class, and every new program. We’re very conscious of the fact that we’re not taking money from, say, bankers. We want everyone to feel like they get not just instruction, but a feeling of connection and support, from our programs.

Some people learn best in a group—and for that, we have classes (including our brand new Five Days To A Fab First Page challenge) where people can absorb the material, talk about it in a group, and then have live interaction with our faculty. Some people want individual feedback—for them, we have Ten Minutes With An Expert meetings to go over queries and first pages—and written critiques, so the notes are there and ready to be implemented.

Both of these web sites (MSWL & MA) are gorgeous. Who is your designer/tech guru? 

We work with Mike Chen and Sierra Godfrey of Atmosphere Author Websites. They seriously saved my life on the ManuscriptWishList.com site. Version 2.0 was a site that I updated myself—every time someone wanted a change, I did it. This was fine for awhile, but as we grew, it became not just a second job, but was taking over my life! Mike and Sierra then, as if by magic, appeared—offered to make a new site to benefit the community—and spent months with me (more than six months!) redoing the site in a way that made it sustainable for the future. Now agents and editors can update their own profiles, searchability is VASTLY improved, it’s MUCH prettier, and there are just so many things that work better. I could never have done it without them.

Plus, they’re both writers, so they really understand the creative brain that doesn’t get all of the tech speak—and could translate my clumsy descriptions of what I was hoping for into something that looks gorgeous and just works.

What’s next for The Manuscript Academy?

 Our next goal is to bring low-cost mini-courses to as many people as possible—all while creating a supportive community. Ultimately, we’re about access—to information, experts, and the support you need while taking this amazing creative journey.

You can check out ManuscriptAcademy.com, follow us at @MSWLMA, and check out our FREE podcast—including a mini first pages panel every week—on iTunes and Soundcloud. See more at ManuscriptAcademy.com/ourpodcast/.

BRAVE NEW GIRLS #STEM Anthology: Inspiration for Future Female Engineers/Scientists

Releasing Today, August 1st, 2017!!!

Brave New Girls: Stories of Girls Who Science and Scheme is a collection of 22 stories about brainy young heroines who use their smarts to save the day. Edited by author Mary Fan, the anthology’s goal is to inspire girls (ages 12+) to study science and engineering. Even better, proceeds from the anthology fund scholarships for women through the Society of Women Engineers. The first Brave New Girls anthology, released in 2015, has provided several thousands of dollars’ worth of scholarships. Hopefully, this new anthology will provide many, many more, enabling more young women to pursue STEM careers!

 

Check out this fun Book Trailer for the anthology!

 

Also visit the Brave New Girls website!

Here are a few quick links where you can purchase the anthology to inspire all the #STEM girls in your life. And don’t forget, proceeds from the sale of the anthology provide scholarships for women to study engineering through the Society of Women Engineers, so please spread the word!!!!

Amazon

Barnes & Noble  

Indiebound

Quail Ridge Books (Raleigh, NC)

GoodReads

We’ve invited two authors from the anthology, the Winged Pen’s Michelle Leonard and fantasy author Karissa Laurel, to talk about women in science and science fiction.

I’d love to know how each of you ended up being passionate about women of science? What sparked the story you wrote for the anthology?

Karissa:  In my careers, I’ve tended to pursue the artistic and creative (not that there isn’t room for creativity in science and vice versa). However, I was raised by a woman of science. My mom was a biology major in college and spent years working as a cytologist. When I was in elementary school, she decided to change careers and went back to school to learn how to be a computer programmer—this was in the mid-to-late 80s. At the time, I didn’t understand it was rare for women to make that kind of career choice. I simply thought my mom could do anything she put her mind to. She’s always inspired me, and only as I get older do I realize what a pioneer she was.

Michelle:  I fell in love with science when I took high school chemistry. Everyone else hated our teacher. She was stern, like a drill sergeant, not at all warm. But Mrs. Davis was the smartest person I’d ever met, and she was black. Her fierceness and passion for science made an immediate impression on me (picture the Beyoncé of Chemistry, without all the razzle-dazzle). I became infatuated with learning everything Mrs. Davis could possibly teach me. We became good friends, even though she remained very stern, and distant, only referring to me by my last name. I often stayed after school to help her set up the next day’s lab, or I would grade tests and homework for her. She insisted that I should become an engineer and asked my guidance counselor to help me land an after-school job to make sure I’d have enough money to go to college.

The main character in my story, a biracial fifteen-year-old named Nina Jessup, is a mash-up of my chemistry teacher and me. Nina uses the blue LED technology I developed as an engineer to fight against something that has deeply troubled me and that I’ve fought against my entire life: racism.

Mrs. Davis has long since passed, but I’ve always felt indebted to her for her inspiration. I’m not a teacher, but I’ve always wanted to do what she did for me for someone else. This story is one attempt to do just that.

What are some science-girl clichés you’d love to see squashed and do you have a book or movie recommendation that does it well?

Karissa:  The first that comes to mind is the “Velma” cliché—yes, Velma from Scoobie Doo. Women in science are often portrayed as nerdy, stiff, robotic, and cold. Despite its flaws, the new Ghostbuster’s movie with Melissa McCarthy and Kate McKinnon made me unbelievably happy because it represented a group of women with disparate and varying personalities all brought together by their passion for science. It took the women who are usually given “sidekick” status and made them the protagonists and heroes.

Michelle:  I whole-heartedly agree with Karissa, but I also get annoyed seeing female scientists portrayed as hot scientists because it’s the twisted trope, the opposite of a “Velma,” and diminishes respect for females in the profession. I’m also not a fan of mad scientists, especially in children’s literature, because it gives kids the wrong impression about science. Hello, does anyone want their child to grow up to be an evil genius? Most scientists save lives and work passionately to make the world a better place. Hidden Figures is a wonderful example of a movie/book showing the obstacles real scientists, especially women and minorities, face every day in their quest to advance knowledge for society and to protect our Earth and all its precious creatures. Those are the stories about scientists that kids need to hear.

Now, a bit of fun.

Time machine to travel back and forth in time or ability to stop & restart time at your will?

Karissa:  Dozens of books and movies have taught me that messing with the past or future is dangerous, and it’s impossible to calculate the consequences. Maybe killing Hitler before he came into power, or saving JFK from assassination, might have made the world a better place. But how are we to know it wouldn’t have made it worse in some way? I think I’d like to be able to stop and restart time. Now that I’m a mother with a teenager, it seems like the days are flying by. He’s growing up too fast, and I’m growing older too fast. I’d love to be able to slow time down, on occasion.

Michelle:  I’m with Karissa in believing that messing with the past could have unintended consequences, but I would do anything to be able to flash back to 1938, right as nuclear fission was discovered, to prevent the development the atomic bomb. The devastation at Hiroshima would be erased. I’d love to be able to stop and start time too. I could squeeze so much more reading in that way. *wiggles eyebrows.

Magical powers or computer brain?

Karissa:  I think what looks like magic is often just science that we don’t yet understand. I love that magic offers so many possibilities and would probably choose that answer, but having a computer brain, if it were big enough and complex enough, might serve the same purpose. With magic, maybe I could heal a person’s cancer. With a computer brain, maybe I could come up with a cure. Both powers come with a great need for responsibility and a strong moral ethos, however. To quote Stan Lee: “With great power comes great responsibility.”

Michelle:  Scary news alert! We already have the technology to computerize our brains. So far, it’s being used mostly for medical purposes, but the possibilities are limitless and truly frightening. Magic, on the other hand? Yes, please sign me up!

You guys are the best! This was too fun.

Karissa Laurel lives in North Carolina with her kid, her husband, the occasional in-law, and a very hairy husky named Bonnie. Some of her favorite things are coffee, chocolate, and super heroes. She can quote The Princess Bride verbatim. On weekends, you can find her at flea-markets hunting for rusty things to re-use and re-purpose. She is the also the author of The Norse Chronicles, an adult urban fantasy series based on Norse mythology; and The Stormbourne Chronicles, a young adult fantasy and steampunk series. More information about those is available at her website. You can also connect with Karissa on Facebook, Twitter, Instagram, Pinterest, and Goodreads.

Michelle Leonard was born to be a math and science nerd. After spending over ten years working with an engineering dream team developing commercial blue light-emitting diodes (LEDs), she escaped the world of seventy-hour workweeks. Nowadays, when Michelle’s not tinkering on her teleporter for transporting her talented daughters to important gigs or pushing books into young readers’ hands at her local Indie bookstore, she’s turning outlandish thoughts into stories for young readers. She lives with her science-savvy husband, three inspiring daughters, and a border collie who hates numbers. Connect with her on Twitter and Instagram.

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