LORD of MONSTERS by John Bemis

Do you like books with monsters and magic? Heroes and epic journeys? On June 6th, 2017 at a bookstore near you, one of the most imaginative books I’ve read in a long while will be released into the world. LORD of MONSTERS is the 2nd book in the OUT of ABATON series, and this Pinocchio retelling is sure to please.

Goodreads   |     Amazon     |     Barnes and Noble  |    Indiebound

Those of you who read THE WOODEN PRINCE will remember that it ends with Pinocchio transforming into a real boy. In the LORD of MONSTERS, Pinocchio must learn to adapt to being human at the same time as he’s figuring out his new responsibilities as a ruler (prester) of Abaton, along with his friend Lazuli, daughter of the former leader of Abaton, Prester John.

“But before they can get comfortable in their thrones, a fancy dinner at the palace is interrupted by an unwelcome guest-a monster! And this isn’t just any monster; it’s a manticore, a beast that was imprisoned centuries earlier. Desperate to locate the prison and make sure none of its other monsters were able to escape, Lazuli, Pinocchio, and their Celestial Brigade set out to save Abaton from these ancient beings.

Their journey requires intelligence, strength, and a dash of the magic only presters control. But when Pinocchio tries to use his powers, they have an unintended effect: he is turning back into a wooden automa. And if he’s not careful, he may lose his human form forever.

The second book in the Out of Abaton series continues John Claude Bemis’s reimagining of Pinocchio in an action-packed adventure that celebrates friendship, tolerance, and the power of being yourself.” –Goodreads

Sounds amazing, right? It is!

Two things set this story apart. The incredibly imaginative cast of characters and plot devices are unparalleled.  Also, themes of inclusion and tolerance are crucial to the climax. For me, this is an easy two thumbs up!

And now, it’s my pleasure to welcome John Claude Bemis to the blog!

LORD of MONSTERS has many unique characters (glowing aleya bubbles, a superfluous worm, mushroom men, …) and plot devices (thunderseeds, sleeping sand, an underground forest, …). Could you pick a few of these and tell us what inspired the idea?

John: Thank you! I had so much fun exploring the strange world of Abaton and all its fantastical inhabitants. I like contrast in characters, especially secondary characters. I knew I needed a misfit team of knights for Pinocchio and Lazuli and liked the idea of a pair of them being opposites. One small, one big. One gregarious and the other half comatose. Goliath, who is of a race of diminutive mushroom people, is feisty and fast-talking. While Kataton is a physically intimidating reptilian chimera who’s slow and lethargic. Something about this combo just seemed funny and ripe with possibilities and surprises.

The superfluous worm came about as a plot device honestly. I needed a way for the characters to communicate across long distances in Abaton, but I wanted to do something I hadn’t seen in other fantasy stories. So I invented Riggle, this worm who can be chopped in half and becomes essentially two Riggles. Whatever one Riggle hears, so does the other. So Pinocchio has one Riggle and his father Geppetto has the other and they can pass messages along through Riggle (er…Riggles). It also cracked me up to have a character so amiable about being severed in two. My sense of humor skews weird at times.

One thing that stands out in LORD of MONSTERS is the rich world-building. Will you share a few tips or tricks for creating these well-developed worlds that capture readers and pull them inside?

The trick to fantasy world-building is grounding it in reality. It needs to follow particular rules, even if the reader is unaware of the rules. I think Frank Lloyd Wright said, “Limits are an artist’s best friend.” I established in THE WOODEN PRINCE that the magic of Abaton revolves around the four elements. So in LORD OF MONSTERS, the various cultures needed to reflect how the magic of air, water, fire, and earth would affect cities, transportation, rituals, and everyday life. Also since Abaton is located in the Indian Ocean, I tried to give the world a feel that was connected to south Asia and east Africa with the food, geography, architecture, etc. It’s funny how much research you can do as a fantasy writer. You’d think we could just make it all up from our imaginations, but I find pulling from reality makes the most magical worlds.

In THE WOODEN PRINCE, Pinocchio transforms from an automa into a real boy. In LORD of MONSTERS, Pinocchio explores what it means to be human. What do you hope readers will take away from Pinocchio’s discoveries?

I feel very connected with Pinocchio’s journey. He just wants to understand what it means to be alive in the world—what it means to have friends and family, to handle adversity in an admirable way and to experience all the joys the world has to offer. His discoveries are, in a way, all our discoveries; they’re just amplified a bit because the world is so new to him. In the new book, Pinocchio wrestles with what it means to be given this gift of life and to have it potentially taken away. Once you’ve seen the other side, who wants to go back to being a dull automa? That’s heartbreaking. And breaking hearts makes for good storytelling in my opinion.

In addition to being an author, you also teach writing at various workshops and retreats. Where can we sign up?

I love getting to work with writers of all ages to help them deepen their craft and create stories that are singular to their artistic vision. My favorite writing workshop that I lead is at Table Rock Writers Workshop every August. The attendees are so talented, and we have plenty of time to dig in deep to what makes powerful stories for young readers. Also students get lots of individual feedback on their writing, so that makes it fun to see writers walk away at the end of the week with a whole host of new ideas for what to do with their characters and stories.

What can you tell us about what you’re working on now?

I’ve been developing a couple of new stories, which I’m sorry to say I’m real hush-hush about. But one is a middle-grade novel being shopped to publishers. The other is a YA sci-fi that I’m in the thick of revising. They’ve both been so much fun and are different from what I’ve done in the past. I promise I’ll be getting back to Abaton soon.

Lightning round (*hands John a brownie for strength):

If you had a superpower, what would it be? Teleportation, for sure. I’d pop over to Venice after dinner every night for a cup of gelato on the Strada Nova.

Wooden pencil or mechanical? Mechanical. I’m practical that way. But honestly, I’m most partial to the Pilot G-2 pen. I buy them by the dozens.

Coffee or tea? Tea first. Then midmorning, coffee.

Sweet or salty? I’m salty for sure.

Dog, cat, or other? Cats

Plotter or pantser? Unapologetically, a plotter

Any advice for all those aspiring authors out there? Don’t just think of writing as sitting in front of your laptop. Just as important is the time you spend thinking. So discover where you do your best creative thinking. For me, it’s taking long walks in the woods with a backpocket notebook. I call it my thinking walks. (It took my wife forever to believe that this was real work.) Having time on the trails to be deep in my imagination is where I hatch all my best character, plot, and setting ideas. Make time for it—wherever you can—ever single day. You’ll be rewarded with surprising story insights.

An inspiring speaker and entertaining performer, John Claude Bemis is the author of Out of Abaton: The Wooden Prince and Lord of Monsters, the Clockwork Dark trilogy, The Prince Who Fell from the Sky, and Flora and the Runaway Rooster. He received the Excellence in Teaching Award from UNC Chapel Hill’s School of Education for his work in the schools as an author-educator and served as North Carolina’s Piedmont Laureate in 2013. John lives with his wife and daughter in Hillsborough, NC. You can find him at his author website, on Instagram, and on Facebook.

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

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EVERYTHING, EVERYTHING Movie vs. Book (no spoilers!)

My 13yo daughter and I arrived at a movie theatre Tuesday night as excited as two people could possibly be about getting a sneak preview of the EVERYTHING, EVERYTHING movie based on Nicola Yoon’s book by the same name. But excitement wasn’t the only thing coursing through my veins as I stood in line to take my seat…

Anyone who knows me well, knows that EVERYTHING, EVERYTHING is one of my all-time favorite books. I mean, it’s got EVERYTHING going for it. It’s a love story (swoon) about a mixed-race relationship, but it also has a dramatic twist. It’s full of feels, yet light on words making it a quick read, perfect for reluctant readers. The illustrations in the book were drawn by Nicola Yoon’s very talented husband, David Yoon, making it a love story mixed into a love story.  So yeah, I LOVE THIS BOOK!

AND I had the pleasure of riding next to Nicola Yoon on an airplane on my way to a writing workshop she was co-teaching about Writing Cross-Culturally back in March. Like me, she’s a scientist and a writer, and the word “worship” comes closest to describing my feelings for her.

BUT here’s the problem.

I normally dislike movies based on books I adore. That something else coursing through my veins was ANXIETY. I didn’t want to hate this movie.😧

 

 

 

 

BUT THE MOVIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I LOVED it! ❤️😍❤️😍❤️😍❤️😍❤️😍❤️😍❤️

 

 

Unlike many adaptions, the movie is very close to the book. The acting is top-notch. Amandla Stenberg play the lead-role of Maddy, and she is STUNNING to watch. Her smile is like sunshine. She melted me over and over and over… The chemistry between Amandla and her co-star Nick Robinson (Olly) was excellent. The sweet, sweet love story plays out well on the big screen, and the twist is handled well. (There were many gasps in the audience!) Some of David Yoon’s illustrations were included in the movie too, which was definitely like a cherry on top. And the soundtrack is as swoon-worthy as the movie!

My Daughter’s Verdict: “I’m going to go see this with each of my friends individually so I can see it a bunch more times.” She’s talked about this movie nearly every day for months, and she was not disappointed. She loved the movie and book equally. Her favorite thing about the movie: “I really enjoyed seeing Rue (from Hunger Games) playing Maddy’s role.” Her least favorite thing: “I wish they had done the scene when Maddy and Olly first touch in the movie the same way it was in the book.”

My Verdict: I still love the book more, but I love the movie too. The only negative I have to report is the movie is too short. (I wanted MORE!) EVERYTHING, EVERYTHING is a great movie to see with your daughters and a great date movie for teens! (Yes, all romance should be this sweet!)

If you haven’t read the book and you like love stories, you will probably enjoy the movie. (I’m going to go out on a limb and predict that you will want to read the book too).

If you have read the book and loved it, you will be PLEASED!

Select showings begin on May 18th and the full release is May 19th! Go see it! Here’s a handy link to Fandango so you can find it in a theatre near you! Want to know more? Here’s the EVERYTHING, EVERYTHING movie website and Twitter.

What are your favorite movie/TV adaptions of favorite books? Feel free to share in the comments!

Subscribe to The Winged Pen and never miss a post, including our monthly #FourOn400 writing contest for middle grade and young adult. Click to SUBSCRIBE!

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

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Book Review: Principal Kidd School Rules

Principal Kidd School Rules is the first book in the Principal Kidd series by author and illustrator Connie T. Colon. It is a fun chapter book featuring a bright kid who accidentally creates problems for his school then works to find creative solutions.

Goodreads

Eleven-year-old whiz, Oliver Kidd, had no trouble using his genius IQ to skip grades and zoom through the accelerated college program. But after landing a job as the world’s first kid principal back at his old elementary school, Oliver faces sabotage from the jealous vice principal, Mr. Dagger, along with challenges of a kid in charge of the teachers, parents, and students. Good thing his trusty sidekick and school mascot, Chelsea the chicken, is on his side. Principal Kidd scores points with the students with his new rules, until the town health inspector shows up and threatens to shut the doors on Eggshell Elementary. Join in on the giggles and mayhem as Oliver Kidd and his friends since kindergarten try to save Eggshell Elementary. (Just watch your step, you may encounter chicken poop!) (Goodreads)

This wonderful chapter book is full of action, fun characters, and creative problem-solving skills. We jump right into Oliver’s first day as Principal Kidd and meet the people closest to him. Mr. Dagger, whose personality lives up to his name, and Oliver’s best friends, April Mae March who makes decisions based on her mood ring and Tucker Wilson who uses magic to help solve problems. (Watch out, you don’t want to be “Tucked!”), and Inspector Dusty, who – you guessed it! – casually dusts everything he walks by. Each character is unique and quirky. Kids will love them as much as I did..

I love stories that focus on real-life issues, but disguise them through humor, creativity, and great storytelling. Principal Kidd is an example of this kind of book. Some of the issues included are: what will you do to be liked by your peers, is bullying behavior the right choice, can you solve difficult problems by looking at alternative actions and creativity, and will you take the easy way out or will you fight and not give up?

What problems does Oliver face and what choices does he make? Can you figure out creative solutions to Oliver’s problems? You will definitely want to read this book and follow Oliver and his friends as they face difficult decisions.

To learn more about Connie Colon and Oliver Kidd and friends, check out her wonderful website, conniecolon.com. You can also find her on TwitterFacebookInstagram.

Principal Kidd School Rules Book#1 can be found on Amazon.

HALLI GOMEZ teaches martial arts and writes for children and young adults because those voices flow through her brain. She enjoys family, outdoors, reading, and is addicted to superhero movies. You can find her on Twitter.

Bill Blume and the Teenager Vampire Hunter

 Bill Blume

Website: http://www.billblume.net/gidion01.html

Bill works as a 911 dispatcher for Henrico County Police.

He served as the 2013 chair for James River Writers.

Despite the red covers, little blood is spilled. Gidion is the younger male version of Sookie Stackhouse and Veronica Mars.

A fast-paced thriller. A witty boy. Written by a police expert. Fresh spin on the vampire trope from the hunter’s perspective. Appropriate for MG and YA readers. Last, but not least: funny.

As Gidion closes in on the Richmond coven, he must save his teacher, his girlfriends and his BFF who is a feeder.
A cunning assassin brings more danger. Three generations of secrets spill and shatter Gidion’s beliefs about vampires.

 

 

 

 

 

 

 

 

 

Sussu: After writing a review of the exciting duology “Gidion’s Hunt” and “Gidion’s Blood,” the story of a vampire hunter, I thought the next logical step was to ask Bill Bloome for an interview. Welcome Bill to The Winged Pen.

Bill Blume: I remember your review, because it made my day when I saw it. My son was an advanced middle-grade reader when the first book came out, and it was cool to see someone recognize it wasn’t a book that’s exclusive to the YA crowd (even if that was the originally intended market).

Sussu: What choices did you make in order to make the story attractive to boys?

Bill Blume: The main reason I knew boys would be more inclined to like it is probably the most obvious: the protagonist is a boy. The YA market targets girls most of the time (folks more knowledgeable than I am have helped me realize just how complicated an issue that is). I think part of the reason Gidion works well for boys is because his character hits on a lot of the things every boy wants to be at that age: smart, tough, and clever. One review of the book called it a mix of Blade, Encyclopedia Brown, and John Hughes films, which isn’t far off the mark. Most of all, Gidion is at that age where he’s fighting to prove he’s ready to be an adult, which I think any reader at that age can relate to.

Sussu: Why did you choose to write a vampire novel with no gore?

Bill Blume: It’s funny you mention the gore, because I get mixed reactions on that. I certainly don’t dwell on it, because I’m more interested in exploring Gidion’s search for answers. Gidion is basically like a love child of Buffy, the Vampire Slayer and Michael Westen from Burn Notice.

Burn Notice brought a common sense approach to spy work, and Gidion brings that same kind of common sense way of doing things to hunting vampires.

Sussu: I think kids will connect with the realistic and believable aspect of the story. How did you choose your vampires?

Bill Blume: My goal, before I even realized it would be a YA novel, was to write the best damn vampire hunter story ever. I wanted it to feel as real as possible, like this could happen around us with most people never noticing. Most of all, I wanted my protagonist to be all human. So many supernatural series make the big bads so tough, they have to give the heroes powers to even the playing field. Keeping Gidion de-powered meant going the other way, making the vampires more human, too.

Sussu: Did working in TV news help you as a writer?

Bill Blume: Honestly, no. The biggest contribution had to be working as a 911 dispatcher, which I’ve done for 15 years now. If you’d told me years ago that working in law enforcement would help me write a vampire hunter novel, I’d never have believed it, but it informed the book a lot.

Sussu: What TV shows or novels influenced you?

Bill Blume: Have to give Burn Notice its due. The voice for Michael Westen is also Gidion’s. The guy I got to voice Gidion in the book trailers even watched clips of the show to get the cadence. Only reason I started watching the show was because I was teaching a training class at work and was told I sound like Michael Westen (they were right!).

Sussu: How cool! What is a word you live by?

Bill Blume: The best word to describe me is probably “stubborn.” Haha! It can be such a negative trait so often, but it can be helpful when you need to finish something that requires a long time to stay focused. Writing a book takes a long time, and you doubt yourself more than you don’t as you’re writing. I’m 80,000 words into a non-Gidion YA book that’s very different for me, more character-driven than plot. There’s no guarantee it’ll get published, but by God, I will get this rough draft finished before the end of the month. Very different voice for me, too. Gidion comes naturally, this new character does not.

Sussu: Does that mean no more Gidion’s books?

Bill Blume: Sadly, Gidion is shelved for the moment. The first two books need to prove themselves a little more to the publisher before they will greenlight a third. A manuscript was started, and I know where his story goes next, but the first two books also provide his first major arc. A third book would start him on a new journey, and one day I plan to go back. Don’t think I could abandon Gidion. He’s become a part of me. His quirk for good luck charms and numbers has even infected me. He also turned me into a big, BIG Tim Drake fan. I collect DC comics now to follow Tim, and before that I was a Marvel fan all the way.

 Sussu: It was wonderful having you here. I appreciate your time.

Bill Blume: Thank you! This was a lot of fun.

 

If you liked this interview brought to you by Sussu Leclerc, visit her blogs, at Novel Without Further Ado and Book Riders for MG readers. Connect with her on Twitter and Pinterest. Thanks for reading.

 

Interview and Swag Giveaway with Debut Author Jennifer Park

Tragedy. Romance. Mystery. Bigfoot.

Jennifer Park’s young adult novel, THE SHADOWS WE KNOW BY HEART (Simon Pulse, March 14th) has it all! Today, I’m thrilled to interview our very own Winged Pen member and help her celebrate her upcoming debut with a swag giveaway.

Jennifer, congratulations! Tell us about your book.

Thanks so much!! THE SHADOWS WE KNOW BY HEART is a contemporary retelling of Tarzan, set in the piney woods of East Texas. With Bigfoot!

This is a great twist on the legend of Bigfoot; how did you come up with the idea?

I’ve always been fascinated with the idea that there are still species out there that science can’t yet prove exists, yet thousands of eye-witness accounts suggest otherwise. My interest in Bigfoot began with watching the show Finding Bigfoot, and went from there. It was actually my mom’s idea to write the book, and I tossed it around for a while before I began writing, simply trying to find a serious way to handle the subject.

It’s safe to say that your main character, Leah Roberts, comes from a troubled home. Did she come to you fully formed, or how did her character develop for you?

She does, and I needed her to have a reason to go to the woods, to have that be her place of escape, and a secret of her own that she’s willing to protect at all costs.

No, she didn’t. I had a vague idea when I started of who I wanted her to be, but it wasn’t truly nailed down until well into final editing stages that she really became who you see now.

Which character in the story is your favorite?

Definitely Bee, the central Bigfoot character. I loved writing her scenes. I think she brings such humor and deep moments for Leah. I wish she wasn’t just a fictional character! I’d be a forest pirate with her any day. 🙂

Tell us about the editing process; what surprised you the most?

I really loved seeing how the book was developed through each stage of the editing process. By the time I turned in that last round of edits, I think I knew my characters far better afterwards than before. And also discovered that some of my characters winked a lot and I never noticed until my editor pointed it out.

And now, the fun begins! Tell us about the pile of swag you are giving away.

Yay! Yes, I’ve got a signed copy of THE SHADOWS WE KNOW BY HEART, a bookmark with an adorable Bigfoot charm, and a signed art print for the winner!

How do our readers enter?

All they have to do is post a link to this interview to their Twitter account and leave a comment below between now and noon on March 13th. The winner (whose name will be pulled from our Triwizard cup) will be announced on our blog the morning of March 14th (the same day as my book birthday!).

Are there any other ways our readers can get their hands on swag?

Yes! I’m also running a swag giveaway for pre-orders on Twitter beginning March 1 . Follow me for details. And if you happen to be at Barnes & Noble in Beaumont, TX on March 18, I’ll be there signing books and handing out swag as well.

Jennifer, thanks for joining us today, and congratulations again on your debut.

Thanks so much for having me!

Jennifer Park grew up on the bayous of southeast Texas daydreaming of fantastical worlds. A former middle school art teacher, and current Ocean Artist Society member, she now lives tucked within the East Texas pines she loves. When she’s not writing, she spends her time overloading on soy mochas, hoarding chocolate, and managing her herd of one husband, two kids, numerous dogs, a shamefully large number of garden snails, and one tortoise named Turquoise. Sometimes she does look out the window and hope to see Bigfoot.

Posted by: Jessica Vitalis

A jack of all trades, JESSICA VITALIS worked for a private investigator, owned a modeling and talent agency, dabbled in television production, and obtained her MBA at Columbia Business School before embracing her passion for middle grade literature. She now lives in Atlanta, Georgia, where she divides her time between chasing children and wrangling words. She also volunteers as a Pitch Wars mentor, with the We Need Diverse Books campaign, and eats copious amounts of chocolate. She’s represented by Saba Sulaiman at Talcott Notch and would love to connect on Twitter or at www.jessicavitalis.com.

 

 

Author Interview: Ali Standish

Today we welcome debut middle-grade author Ali Standish to The Winged Pen. Ali is the author of THE ETHAN I WAS BEFORE, which released on January 24th!

Pull up a chair and get comfy, Ali!

Thank you so much, and thanks for having me! 

Congrats on your debut middle-grade novel, THE ETHAN I WAS BEFORE. It has been described as a beautifully written mystery about loss and grief. Tell us about your inspiration for the book.

I was inspired to write the book by a hodgepodge of things (I think this is the case for most books!). I was just leaving a teaching job I loved in Washington, D.C., where I worked with some incredible students. Some of them had been through some really tough stuff, and I remember thinking, “where are all the middle grade books that deal with these things?”

At the same time, I was ruminating about the nature of lying and storytelling, and the gray area that exists between them. I started thinking about a character who told stories that were dishonest on the surface and yet somehow true in a deeper sense. And then I paired her with a character who lied by omission, and bang! There were Coralee and Ethan.

Ah, lying and storytelling. That’s such an important concept to explore, because I’m sure most kids get mixed up in situations like this. Truth is important. Stories are too, as is forgiveness. THE ETHAN I WAS BEFORE would make a great classroom read.

Your main characters, Ethan and Coralee, are of different races. Do you think this is important to the story?

Modeling an interracial friendship is definitely an important aspect of the story to me. I don’t think we see enough of these relationships in children’s literature, and that’s a shame. But it’s also important to note that Coralee was a black character since the moment I dreamed her up (before I had even thought of Ethan). I didn’t write her as black to make a point or to fulfill a quota. I think the reason I thought of her that way had more to do with the essence of her spirit. To elaborate a bit: We know that, because of societal and institutional factors, it is generally harder to be a black child in the U.S. than a white one. But when you look, for instance, at statistics on black women in education, you see that despite these hurtles, they are now the most educated group in the US. Struggle may be part of the black experience, but so is the overcoming of it. So going back and rereading the book now, I think I was trying to write Coralee so that her character would reflect some of the struggles many black children in the U.S. face, but also the joy and humor and triumph and bravery that make up part of their experience, too.

I LOVE Coralee. She’s smart, forthright, and energetic. What do you hope young readers take away from your story?

Hope. Understanding that the world takes things away from us, but it also brings us second chances and new friends.

What is your work/writing schedule?

It changes depending on where I am in the process and how much else I have going on! Right now, I’ve been doing about 4,000 words a day, in two blocks of time—first thing in the morning and then in the late afternoon. But that’s because I’ve set aside a few weeks to do nothing but write. Sometimes I’ll go weeks without writing a word, but during those stretches I’m always working away on my plot in my head.

4000 words a day! Wow, you’ve just raised the bar for me! Do you have any *strange* writing habits?

Possibly the fact that I don’t have a habit at all? I will write in bed, in a coffee shop, on a plane, with music, without music, in the morning, at night. I’m all over the map!

Which writers inspire you? Is there a recently published book you’d heartily recommend?

Growing up, my inspirations were Sharon Creech, Katherine Paterson, Jerry Spinelli and, of course, J.K. Rowling. They still are! Going back and reading childhood classics like The Secret Garden and The Lion, the Witch, and the Wardrobe, I am kind of in awe at how writers like Burnett and Lewis were able to create such an abundance of magic in so few words. As for recently published books? Lauren Wolk’s Wolf Hollow, which was just named as a Newbery Honor book, is probably the best middle grade book I have read since I was a middle grader. And Angie Thomas’ The Hate U Give is worth every ounce of the hype it’s gotten.

We share similar taste in books. Wolf Hollow definitely deserved the Newbery Honor. I can’t wait to get my hands on Angie Thomas’ The Hate U Give. It comes out very soon, folks! February 28th!!!

What can you tell us about what you’re working on now?

More middle grade! Another novel set in the deep south, this one with a magical twist

Sounds perfect, Ali! I can’t wait to read it. Now buckle up for the LIGHTNING ROUND!🌩

If you had a superpower, what would it be?

Time travel. (Yes! Take me with you!)

Wooden pencil or mechanical?

Yuck! Pen, please. Better yet, keyboard.

Coffee or tea?

Tea until I die. Or have to get a root canal. (A girl after my heart!)❤️

Sweet or salty?

Salty. When I was living in the UK, my pet peeve was all the sweet popcorn flavors they kept coming up with. What’s wrong with plain butter?!🍿

Dog, cat, or other?

Dog, of course.

Plotter or pantser?

Pantser. Wait, can I change my answer??? This is why I am a plotter. 🙂

Any advice for all those aspiring authors out there?

Remember that writing takes practice. It’s something that you get better at over time. You can have the best idea in the world, but you’ve got to put in your practice hours before you will have the skill to write it. Rejection does not mean you failed. It means you need more practice. (That also means reading, particularly in the genre you write!)

I hear you! And it’s so true. There are no shortcuts to becoming a great rider. Thank you for stopping by Ali!

Find THE ETHAN I WAS BEFORE at your local Indie or find it online.

Amazon

Barnes and Noble

Indiebound.org

Goodreads

Ali Standish grew up in North Carolina and spent several years as an educator. She has a MFA in children’s writing from Hollis University and a MPhil in children’s literature from the University of Cambridge. She lives with her Finnish husband and rescue dog. THE ETHAN I WAS BEFORE is her debut novel. Visit her at www.alistandish.com , on Twitter, or on Facebook.

 

 

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

DIY Infographics and other Cool Marketing Things

If you’ve spent any time online recently (which, yeah, maybe you’ve been avoiding it as much as we have!), you’ve probably seen these cool graphic communication tools known as infographics.

A practice infographic on how writers can use different social media platforms

Infographic is really just a fancy way of saying “a picture and a few words working together to communicate key information or important messaging.” They give people an easy, at-a-glance way of gathering info, and they’re a great nod to those people who grasp pictures faster than they do words.

I’m a non-visual thinker — give me words any day! — but even so, I’ve grown to appreciate their amazing ability to communicate big complex ideas in a flash. So I wondered if I could learn how to make them.

The short answer is YES — anyone can learn to make an infographic, and depending on how fast you can pull together the content, can do it in 15-20 minutes! The longer answer…well, that’s what this blog post is for!

The Tools

There are at least half a dozen platforms that can help you design your own infographics. Most of them are free for the basics, paying if you want to get really fancy and customized. I found a great rundown of the major players here.

I used Canva to create both the samples I’m posting here. You can scroll through dozens of templates — some free, some paid — and find one that gives you the general look you want. The designs can be changed with photos, colors, textures, etc. I have only just started to play around, and found it easy and fun to mess around.

You’ll also want to have your statistics, facts, sources, images and a general outline ready before you start. I just dove in for the first one I created, and while I wasn’t trying to really create something I would use again and again, it took a lot more time than it could have.

And there aren’t only infographic templates available. You can use these platforms to design anything from wedding invitations to brochures to social media graphics and more.

The Whys

Which brings me to all the reasons you might want to get familiar with infographics.

Marketing. One Penny used Canva to create marketing materials for her upcoming book, saying, “I just took a stab at it, and take this from someone who HATES, no, abhors all forms of fiddly technology– I made a cool pamphlet in half an hour!! It still needs some tweaking, but it looks so much more professional than my 1st attempt using a word doc.”

Reaching readers. Kids are geared to accept visual ways of communicating, and as kidlit writers, it’s to our benefit if we can reach them in the ways they like to be reached. If you have a message for your readers, see if you can put it in infographic form.

Another practice with more in-depth information and graphics

Blog posts. As a blog reader and a blog writer, it can be really refreshing to see information presented visually. Instead of writing 500 words on writing great dialogue, why not try a graphic that explains what makes dialogue great?

Presentations. I occasionally give talks in my professional life and to school-aged kids. Infographics are a fantastic way to underscore the information you’re presenting orally — and help you stay away from the curse of the three-bullet-point Powerpoint slide!

Play around with a couple of the platforms to see which one works best for you. Once I tried one, the ideas started coming fast and furious. I’m looking forward to creating more and finding more ways to use them!

Author Interview–Julie Leung

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We are thrilled to have on the blog today Julie Leung, a debut author whose middle grade novel releases on October 4th. MICE OF THE ROUNDTABLE: A TAIL OF CAMELOT is an epic new middle grade series in the tradition of Redwall and Poppy, based on Arthurian legend and told from the perspective of Camelot’s most humble creatures: mice. Young mouse Calib Christopher dreams of becoming a Knight of the Round Table. For generations, his family has led the mice who live just out of sight of the humans, defending Camelot from enemies both big and small. But when Calib and his friend Cecily discover that a new threat is gathering—one that could catch even the Two-Leggers unaware—it is up to them to unmask the real enemy, unite their forces, and save the castle they all call home. The book has received positive reviews from both Kirkus Reviews and School Library Journal!

“A winning new adventure featuring a stalwart warrior mouse, heroic knights, and magical Camelot.” (Kirkus) “Leung employs classic language, with regal terms to re-create the timeless feel of Camelot.” (School Library Journal)

What drew you to this story for a retelling?

I grew up on a steady diet of the Redwall series. I checked out every book from the library and savored every feast scene and battle. And like most fans of fantasy fiction, my first taste of it came from tales of King Arthur and his knights. So when Paper Lantern Lit approached me with the project for Mice of the Round Table, I knew this was the perfect fit for me.  

What are some of the advantages and disadvantages of retelling a story?

My favorite thing about writing an Arthurian retelling is that I can bake in references and literary Easter eggs that will hopefully pay off when the reader continues to explore the legends in their own right. On the flip side, I have to ensure that my story arc follows the trajectory that everyone expects—for the most part at least, I like to throw in some surprises. 😉

How much research did you do?

My research was twofold. I did a lot of digging into Arthurian legends themselves. But I quickly found that the versions we have come to know as canon have also been modified and tweaked through the ages. Different authors left in their own details and flourishes which I found fascinating.

I also refreshed myself on a lot of “rodent-as-hero” stories like Poppy, The Mouse and the Motorcycle, and other classic tales. One of my biggest challenges was to correctly scale mice in a world built by humans.

What are some details you included to evoke the time period?

I tried to place the story in a timeless and familiar fairytale setting. That meant excising any words or terminology that sounded too modern and paying attention to the descriptions food and clothing to make sure they felt grounded within historical reason.

Why do you write middle grade?

The books that truly turned me into an insatiable reader for life were read when I was 8-12 years old. I wanted to write for this age because I could incorporate a sense of innocent wonder and adventure but at the same time introduce more complex themes.

What was your favorite book when you were a kid? 

Ozma of Oz by Frank L. Baum

How about a favorite middle grade that you’ve discovered as an adult?

I read the Tale of Despereaux for a college class and have been craving soup ever since.

What is your favorite piece of writing advice?

Write like you’re running out of time, adapted from the Hamilton musical. To keep myself focused on the goal of finishing a manuscript, I cultivate this sense of urgency in the back of mine: No one can tell your stories but yourself, and you owe it to your stories to see them to realization.   

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JULIE LEUNG was raised in the sleepy suburbs of Atlanta, Georgia, though it may be more accurate to say she grew up in Oz and came of age in Middle-earth.

By day, she is a senior marketing manager for Random House’s sci-fi/fantasy imprint, Del Rey Books. She is also the mother of FictionToFashion.com, where she interprets her favorite books into outfits.

In her free time, she enjoys furtively sniffing books at used bookstores and winning at obscure board games. Her favorite mode of transportation is the library.

You may accost her in the following formatsTwitterInstagram, and Goodreads.

Katharine Manning has a soft spot in her heart for mouse stories, dating back to third grade when she first read about Ralph and his motorcycle. She writes middle grade stories about brave girls, friendship, and occasionally, magic. She blogs here and at The Mixed-Up Files, and is thrilled to be a 2016 Cybils judge for poetry and novels in verse. You can see her middle grade book recommendations at Kid Book List, and can also find her at www.katharinemanning.com and on Twitter and Instagram

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Perfectionism and Pomodori

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If you suffer from writer’s block, you’re not alone. Most writers I know have faced that wall many times and surmounted it. Some people find themselves at that wall over and over again.

Sometimes this happens because you’re not sure how to move your story forward.

Sometimes this happens because you’re terrified of failing.

If it’s the latter, you may be a perfectionist. One understanding of perfectionism is that it’s a psychological mechanism by which you attempt to prevent failure by being “perfect.” And one of the symptoms of perfectionism is procrastination, a way to avoid engaging with perfectionism’s relentlessly harsh taskmaster by…not writing.

Writing and Life Coach Hillary Rettig discusses this tangled web of fear and diminished productivity in her fantastic book, 7 Secrets of the Prolific. She presents lots of ways to tackle perfectionism and become more productive, the chief among them being a mental attitude of “compassionate objectivity.” You might think of this as the voice of the loving (grand)parent, the wise mentor, the friend. It might be the voice of your writing partners or critique group (that’s certainly true for me), who say, “Don’t worry. Everyone goes through this.”  It’s very different than the nasty voice of perfectionism, which hisses, “Why did you ever think you could do this? You’re a total failure. Quit now.” One of the ways Rettig proposes writers develop the compassionate objectivity and resilience they need to become prolific is through extremely short timed writing.

I taught creative and expository writing for many years, and I often asked my students to free-write for fifteen or twenty minutes. I was inspired to do this by Natalie Goldberg’s classic, Writing Down the Bones, in which she extols the virtues of free-writing and cautions: Don’t let the hand stop moving. Rettig’s important twist on this practice is that if you are suffering from writer’s block, you have to start small. Laughably small. If you’re blocked—either by perfectionism or because you don’t know where to go with your piece—start with five minutes of writing.

FIVE minutes?

Five minutes.

If you’re blocked, you’re probably thinking: How the @&?!*%#$! is five minutes going to help me? I have a 400-page novel to write! Tell yourself Rome was not built in a day. Tell yourself, as Anne Lamott says, to just do it “bird by bird.” And then give this practical technique a try.

Get a timer. Rettig suggests using an old-fashioned kitchen timer. I tried this and it made me feel like a bomb was about to go off under my desk, but if it works for you, go for it. I like the free app called Pomodoro (more about the Pomodoro technique & other apps here). You can set up the timer for up to five intervals, each one lasting from five to twenty-five minutes. You can also create a break between your sessions, however long you wish, which are perfect for rewards (see below).

The idea is to write for a very short time. Set an interval that makes you say: I can definitely write for X minutes. Then choose any part of your story and write for X minutes. The idea is to not worry about quality at this point. And if you get stuck trying to write the story, Rettig recommends you write about the story, or about the problem you’re having with it.

Five minutes. Then stop and celebrate. Reward yourself well—you must treat yourself way better than you think you deserve for writing for five minutes—and then, when you want to write again, do so. But only for five minutes.

Short, timed writing—what I think of as micro writing—defeats the perfectionist nay-sayer and stops procrastination. It’s only five minutes, after all. And, as Rettig points out, as you use this technique you will find that your sense of accomplishment returns. And when that happens, you can lengthen your timed sessions: fifteen minutes, forty minutes, four hours.

It’s very simple and very powerful. And if the panic sets in after you get going with this, and it probably will—“Yes, yes, I was writing nothing but I’m still only writing 2,000 words a day and it’s not nearly enough to finish my 400-page book!—gently go back to timed sessions. Trust the process to get you back on track so that you are once again writing without fear.

Pomodoro by pomodoro: which is how I wrote this post.

Explore Hillary Rettig’s methods (time-management, helicopter writing, back-to-front writing and more) on her website and in her excellent book.

 

IMG_1617When GITA TRELEASE was little, she believed that if she squinted just right, she could see the glimmer of magic around certain things. She still does. As an English professor, she taught classes on Victorian criminals, monsters, and fairy tales. Along with her artist husband, teenage son, and opinionated Maine Coon cat, Gita divides her time between a boarding school in Massachusetts and the wild Maine coast. Her current YA project is a historical fantasy set during the French Revolution—with a glimmer of magic. Connect with her on Twitter and Instagram.

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Award Winning KidLit: First Lines Quiz

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In a previous Killer KidLit First Lines post (click here to read), I revealed my obsession with revising first lines. I’m almost equally obsessed with writing a banned book (I’m a rogue at heart), or winning the Newbery. Either way, I’m happy.

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The idea for this quiz came to me after the January American Library Association award announcements. I wondered, “Can you identify books that are so special that they win the Caldecott, Newbery, or Printz award based on the greatness of their opening lines?”

 

FullSizeRenderSo here you have it, folks. A quiz to answer that question. I mixed in a few lines from great kid’s books that didn’t win the Caldecott, Newbery, or Printz awards, but that are equally awesome to me. Take the quiz to see if you can figure out which of the first lines are from award winning children’s books.

 

If you do well on the quiz, CONGRATS! You’re a Kid Lit Trivia Genius.

If not, don’t fret. There are plenty of fantastic books that haven’t won awards. And there are many books that have won awards with just so-so opening lines. In fact, reviewing the opening lines for this quiz led me to believe that my obsession with creating a killer opening line might not be as important as I once thought.

Happy reading and writing! And GOOD LUCK!

CLICK HERE to PLAY OUR

Award Winning KidLit First Lines Quiz

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profileMMICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade fiction and non-fiction. Connect with her on Twitter !