NEW AGENT ALERT! Meet Hilary Harwell of KT Literary

I am thrilled beyond belief to introduce you to Hilary Harwell. Full disclosure, she’s one of my dearest friends, a long-time critique partner and a member of The Winged Pen critique fellowship. NOW SHE’S AN AGENT TOO–for the renowned KT Literary agency.  I’m also excited to share that Hilary will be a participating agent in Pitch Wars this year. She’s opening up to queries at the start of August, and here’s your chance to get to know her!

G: Hi Hilary. *grins*

H: Hi Gab. *grins*

G: So, what made you want to become an agent?

H: Besides loving the art of storytelling, I’m in love with being able to bring amazing, impactful stories into the world and into the hands of children just as they’re opening their minds to the power of story. To help all children and young people find themselves inside the pages of a book, I mean, how incredible is it to be a part of that?!

G: What would you say sets KT Literary apart from other agencies?

H: Well, first of all, we have a ton of knowledge and talent amongst all of our agents. Kate, Sara, Renee, and Hannah are all brilliant and well-connected, and all around great people. Then, of course, there are our amazing clients. I had the privilege of meeting many them on our annual KT Literary retreat this past February in Lake Arrowhead, California (and yes, our agency hosts an annual retreat – that in and of itself sets us apart!). They are all such wonderful, supportive, talented folks and we’re lucky to have them!

G: Talk a little about what you’ll be looking for in the slush? What kind of books are you hoping to find?

H: At the present moment I’m focusing on middle grade and young adult projects. I’m interested in all genres – dark fantasy, thrillers, psychological horror, contemporary, mystery – though I’m probably not the best choice for slasher horror, suicide stories, or high fantasy unless it’s 100% original. I’m generally not a huge fan of elves, fairies, and their ilk. I especially love heartfelt contemporary, and though I recently signed an amazing author and her Chinese adoption middle grade contemporary, I still have a soft spot for these types of stories, especially if they’re told from diverse perspectives.

G: What are some of your favorite books?

H: So many! My more recent faves are: The Hate U Give, Exit Pursued by a Bear, Frost Blood, Caraval, The Diviners, The Blackthorn Key, Simon vs. The Homo Sapiens Agenda, Out of My Mind, The Thickety, Anna and The French Kiss (and ISLA and LOLA), Open Road Summer, The Duff, We Were Liars, The Night Gardener, Rules for Stealing Stars, Salt to the Sea, The Wrath and The Dawn, The Scorpio Races, A Curious Tale of the In-Between, Seraphina and the Black Cloak, The Grisha Trilogy, I’ll Give You The Sun, Splendors and Glooms, A Snicker of Magic, The Graveyard Book, The Mysterious Benedict Society, An Untamed State, The Bourbon Thief, The Girl on The Train, and Crank (anything by Ellen Hopkins)

I don’t want to leave out the older faves though, because they’re such classics and I find myself returning to them again and again. I love books like: Bridge to Terabithia, The Hobbit, Black Beauty, The Black Stallion series, Hatchet, The Call of the Wild, White Fang, Island of the Blue Dolphins, The Westing Game, James and the Giant Peach, THE BFG, IT, A Wrinkle in Time,  and The Secret Garden.

 G: Okay. When do you open for queries, and how can authors submit to you?

H: I open to queries August 1st. Authors can find our complete submission instructions on the KT Literary website (www.ktliterary.com). But for the sake of convenience, you can reach me at hilaryquery@ktliterary.com. Please send me your query letter and the first three pages of your manuscript. I’m looking forwarding to reading your work!

G: Okay, Pally. are you ready for this? *hands Hilary mirrored sunglasses*

H: Let’s do it.

LIGHTNING ROUND:

G: Coffee or Tea?

H: Both, but usually coffee.

G: Sweet or savory?

H: Both, but usually savory.

G: Cats or Dogs (or other)?

H: Both. And horses. And fish. And toads. And salamanders. (I grew up in the woods. Catching things was kinda my thing. As was climbing trees.)

G: Curve Ball! Lynda Carter or Gal Gadot?

H: I don’t know? I guess I have to go with Lynda Carter because I have a thing for originals.

Thanks, Hilary, for joining us today (and everyday) at the Winged Pen! 

Hilary joined the KT Literary team to support office operations and assist with queries and manuscripts, and now acts as Associate Agent with clients of her own. She graduated from the University of Colorado, Boulder, with a degree in Anthropology and went on to work in the back office of a major Swiss Investment Bank for eight years before deciding to trade numbers for letters. When not reading or editing or writing stories of her own, Hilary likes to hike the Rockies with her family and dreams of one day owning her own horses. Connect with her on Twitter and check out her blog.

—Gabrielle Byrne (G.K. Byrne) writes fantasy for middle graders. Gabby has a Master’s degree in literature and a second bachelors in environmental studies. When she’s not writing, you can frequently find her fishing spineless critters out of the Salish sea with her husband and two daughters. She is represented by Catherine Drayton at Inkwell Management. Gabby is also a Pitch Wars mentor. Her web site is here.

 

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The Unicorn in the Barn: Review/Author Interview with Jacqueline Ogburn

Today we welcome to The Winged Pen the author of one of my all-time favorite picture books, THE MAGIC NESTING DOLLS. Jacqueline Ogburn is the author of ten picture books and, in just a few short days, the world will be able to read her beautiful debut middle-grade novel, THE UNICORN IN THE BARN.

 

… the presence of the unicorn and other magical creatures adding just a touch of whimsy to a story about very real emotions. A sensitive, moving debut.-Kirkus reviews

Eleven-year-old Eric Harper lives on his family’s farm in Chinaberry Creek. Due to his grandmother’s illness, they’ve sold her home to a new veterinarian in town to help pay bills. The veterinarian takes care of the many wild and unusual animals that live in the area around the Harper’s land. One day, Eric spots a lame unicorn and the veterinarian invites him to work with her and her young daughter to treat the animals. As Eric learns there are magical creatures that live in their woods, he also discovers family secrets that will change his life forever.

THE UNICORN IN THE BARN is both deeply imaginative and real at the same time. It deals with family death in a tender way for young readers. It is a coming-of-age story fully of whimsy, appropriate for ages 9-12 and would make a great read-together book. Rebecca Green’s black-and-white illustrations beautifully compliment the simple and heartfelt prose.

 

THE UNICORN IN THE BARN goes on sale on July 4th, 2017  at your local indie or here:

Goodreads

Amazon 

Barnes and Noble  

IndieBound

 

Welcome to The Winged Pen, Jackie! Reading THE UNICORN IN THE BARN was like a walk down memory lane for me, hanging out on the farm and playing the mysterious woods near my home. Does the fictional Chinaberry Creek represent an actual place from your childhood?

JO: Yes, the setting is based on my grandparents’ farm in Cabarrus County, in-between Concord and Albemarle. I would spend at least week there every summer.  When I was little, they still had cows, chickens, barn cats and for while goats, as well as several Chihuahuas that were house pets. Several of my cousins lived in houses and land that used to be part of the original farm. The house is a rambling two story and there are lots of smaller buildings clustered around it—the tractor shed, a couple of chicken houses, a potato house, corn crib, and of course, a barn.  I moved things around a bit, as the barn was in a pasture down the hill, not next to the house. There are still a lot of woods around and a creek and a pond in the pasture.  I named the nearby town Chinaberry Creek, because my mother loved Chinaberry trees. 

 

It’s interesting how the story seems so simple and innocent, yet deep and moving. I think this may be related to your experience as a picture book writer. How was the process different for writing a middle-grade novel different from writing a picture book?

Novels have so much middle!  A picture book I could figure out the structure and characters in my head, then write a draft that would be very close to that.  I tried outlining this, but as I wrote, the number of scenes and chapters kept expanding.  I knew the beginning and the end, but the rest of the novel, all the middle, kept growing, as I realized more things had to happen to get to the end.  Novels also require a lot more description of the setting and action.  Even though this book ended up with a lot of illustrations, I couldn’t count on the art expressing those things.

While I love fantasy, I wanted this story to be a contemporary fantasy, for it to be as realistic and matter-of-fact as possible.  Moonpearl isn’t a rainbow sparkle unicorn, she needs someone to muck out her stall and pick the burrs out of her mane.

 To achieve that, I did some interesting hands-on research. For six months, I was a volunteer at the Piedmont Wildlife Center, and did most of the same chores Eric did – sweeping, mopping, cleaning out cages, washing dishes, fixing food and water.  That’s how I met Bobby Schopler, the vet who read the manuscript for me and now works at the Duke Lemur Center. I read dozens of books by vets and visited a couple of horse barns to make sure the physical details were well grounded.

 I knew early on that if I was going to have a story about healing, that there also had to be loss. At one point, I called a writer friend nearly in tears because I realized that I had to include the death of an animal for the story to be properly grounded.

 

From the story, it’s obvious that you care deeply for animals. Can you tell us about your how your real-life experiences turned into this beautiful story that is partly a love letter to animals?

The book is a lot of wish fulfillment for me. I did love animals as a kid and read tons of books about them, especially horse stories. We only had one dog, Rusty, when I was growing up. He was a sweet red-brown Chihuahua. I also kept lots of caterpillars and grasshoppers in jars, and had goldfish and guppies. Fish are nice to watch, but not very cuddly. My mother had enough to do with raising five kids, and as a farm girl, she was less sentimental about animals.  Her brother, my Uncle Jackie, adored them, and there is a lot of him in Eric.

Now I am a cat person. Our tuxedo cat, Java, likes to sit on my chest, just under my chin while I read in bed.  I spent about a year in between cats while working on the book and it made me realize how much I like having a nonhuman companion. They deserve attention, affection and respect as much as people do.   

 

What can you tell us about what you’re working on now?

I have a few chapters on a sequel, where Allegra is the main character. She’s more complicated and prickly than Eric. Timothy the Cheshire cat and Prissy the goose are still around, but there will be other magical creatures as well.

 

Lightning round (hands Jackie a cookie, for strength)!

If you had a superpower, what would it be? Flying

Wooden pencil or mechanical? Wooden

Coffee or tea? Hot coffee, but ice tea

Sweet or salty?  Salty

Dog, cat, or other?  Cat

Plotter or pantser?  Both. Even when it’s tightly plotted, like a picture book, there are surprises and detours along the way.

 

Any advice for all those aspiring authors out there?

Read widely, not just in the genre that you love, but other things, including nonfiction. Curiosity is an important trait for a writer, to wonder “what if” and then to be driven to find out the things that could and would happen after that. 

 

Excellent advice and thanks so much to Jackie for stopping by to talk with us! Want to see unicorns in the real world?. Follow Jacqueline Ogburn on Instagram, and you can also find out more about her here!   

And click here for a special limited-time Instagram giveaway!!!

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

Subscribe to The Winged Pen and never miss a post, including our monthly #FourOn400 writing contest for middle grade and young adult. Click to SUBSCRIBE!

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Cover Reveal, Interview, and Giveaway with Oddity Author Sarah Cannon

Photo of Author Sarah Cannon

The Winged Pen is thrilled to reveal the cover for Oddity, by debut author and pal Sarah Cannon. Read to the end, because there is a giveaway, too!

JA: So Sarah, tell us about Oddity.

SC: I can’t wait for everyone to read Oddity! It’s a Welcome to Night Vale-inspired adventure, so it’s both life-or-death and very tongue-in-cheek. It’s a love letter to geeky fan-children of all ages (and a lot of fun to read aloud!)

JA: The cover is gorgeous. How did it feel when you finally saw it?

SC: I love this cover with the fire of a thousand suns.

I’m so grateful to Katlego Kgabale for her wonderful work, which gives me actual chills. You should definitely follow her on twitter, and keep an eye out for more of her art.

JA: Tell me more about the cover design!

SC: One thing I specifically asked for was to have Ada Roundtree, the main character, featured front and center. Too often, children of color on middle grade fantasy covers are positioned to the left or right of (and behind) a white main character, and over time this communicates a clear message about who gets to have the adventure, and who gets to support the adventure. Oddity‘s cover is one small move toward countering that narrative.

Now for the reveal…

 

 

Do you want to see it? 

 

 

Are you sure? 

 

OK, here it is:

Full Book Jacket for Oddity

JA: I can tell you’re passionate about this topic (as am I). Can you talk about how this book fits in the ongoing conversation about diversity in children’s literature?

SC: Well, obviously, I’m a white lady, so the first thing I’ll say is that while this is a pluralistically-cast book, I’d stop short of calling it a diverse one.

Around three out of every ten Americans are non-white.  Two of ten are disabled. At least one in twenty identifies as LGBTQIA+. Obviously, these groups overlap, but as a general rule of thumb, if more than half of my characters are white, non-disabled, and cisgender/straight, I’m not representing the demographics of my community. Full stop.

As someone who has worked with children since I was old enough to work at all, it’s important to me write for all readers, and to provide a book in which every student I’ve taught can find a reflection of self. I’ve worked hard to get as many sets of eyes on this book as possible, through betas and sensitivity readers. I’ve done my very best to provide quality representation, and I welcome feedback from readers on areas where I could improve. But Oddity doesn’t belong on lists of diverse books, books by marginalized writers do— and let’s be honest— the publication of Oddity does nothing to put more books by diverse authors on the shelves.

JA: Which leads into this giveaway…

Exactly! As an author and a reader,  I actively support #ownvoices writers in a variety of ways, and so I wanted to do a cover reveal that furthers that goal. One of the reasons that children’s books lack diverse representation is because the staff at many publishing houses doesn’t reflect America’s diversity. One organization that has tackled this problem is We Need Diverse Books. Through their Internship Grant program, they make it possible for diverse applicants to accept publishing internships, which are often unpaid and favor candidates who are financially privileged. That’s where I’m focusing my energy today.

JA: Thanks for sharing your story, Sarah. And now for the fun part: FREE BOOKS!!!!!

In support of WNDB’s program, Sarah’s giving away copies of five middle-grade books by #ownvoices authors to readers who make a donation to We Need Diverse BooksThe Jumbies, by Tracey Baptiste (sequel out in September 2017!), The Gauntlet, by Karuna Riazi, Cilla-Lee Jenkins, Future Author Extraordinaire, by Susan Tan, Flying Lessons and Other Stories (a short story collection edited by the inimitable Ellen Oh), and last but not least, she has a signed copy of Ghost by Jason Reynolds! Enter to win by posting in the comments below, then emailing proof of your WNDB donation to hellosarahcannon @ gmail.com. Entries will remain open through May 23rd. Good luck!

Oddity book jacketSarah Cannon, author of Oddity, has lived all over the U.S., but right now she calls Indiana home. She has a husband, three kids and a misguided dog. Sarah holds a B.S. in Education. She’s a nerdy knitting gardener who drinks a lot of coffee, and eats a lot of raspberries. She is probably human.

Connect with Sarah on TwitterFacebook, or Instagram, and check out
Oddity on Goodreads, IndieBound, and Amazon.

Happy Release Day to The Outs!

Today, I’m thrilled to welcome my friend and critique partner E. S. Wesley to The Winged Pen to talk about the release of his debut, The Outs.

JA: Congratulations on your debut! Can you tell us a little bit about The Outs’ journey toward publication? 

ESW: Sure thing! The Outs was the culmination of other work I’d done in the past, developing this idea and exploring what a world like this would look like. When I finished it, I threw it into the mix with an online contest called Pitch Wars, and the manuscript landed me an awesome mentor (JA Souders—go read her stuff!). Throughout the process, I got some really great agent interest, but Curiosity Quills saw the pitch as well, and asked to have a look. I’d heard great things about CQ, and when they offered on the book, I was happy to take them up on it.

JA: This story is a great mashup between a psychological thriller and a comic book-style adventure story. Can you talk a little bit about what gave you the idea and what other works from those genres inspire you?

ESW: I love, love, LOVE psychological thrillers. Something about having an author toy with my mind really adds a nice punch. As the story of The Outs began to form, I knew that it was the perfect vehicle for something like this.

As for the comic-booky thing: Kitzi (one of my two main characters) pretty much demanded it. In fact, Kitzi made herself come to life and demanded stage time. When I wrote my first draft of the story, she wasn’t even in there at all, but once she entered the scene she took center stage. And she demanded to be a superhero all her own, with her disability forming the core of her superpowers (can’t say much more about that, because SPOILERS!). From there, it was just a matter of seeing where she took the story, and I couldn’t be happier with her.

I’ve always loved the idea of people whose weaknesses double as their strengths anyway. There’s something so amazing about seeing someone take a rotten deal and turn it into something good that gets me where it counts, you know?

Also, if you love superhero stories and haven’t read Brandon Sanderson’s The Reckoners series (starting with Steelheart), then you’ve got some catching up to do. Go ahead. I’ll wait.

JA: You also write middle grade. How is MG different than writing YA and which do you prefer?

ESW: I totally love both, but for different reasons. Writing YA, I get to explore what it’s like to step into adult decisions for the first time, and take your life into your own hands. Middle grade can get some of that, but only so far. The strength of middle grade writing lies in the freedom to explore EVERYTHING. I think YA readers tend to have certain expectations—romance, angst, sequels—but middle grade readers haven’t come up with those limitations just yet. And besides, who doesn’t love stories about friendship?

The Outs does that, too, though. It shows a grittier version of life, more like what we discover when we see for the first time that our actions can have far-reaching consequences. And Caleb and Kitzi’s actions have really far-reaching implications.

JA: I know you work with children and teens. How does that reflect in your writing, and in the voice of your characters?

ESW: I think a lot of people have this idea that teens don’t have deep thoughts, or they don’t look beyond themselves. Having spent time with them and heard their deepest struggles, I know that’s a load of garbage. Teens think about all the same things adults do, but their thoughts and feelings about those things are heightened because they’re learning to handle life for the first time. Adults are jaded; teens are fresh. They see the world with new eyes. They allow themselves to feel their fears and make mistakes, and there’s something cool and honest about that.

JA: What does your writing day look like? Any tips or tricks you’d like to share with our readers?

ESW: For me, it’s all about routine. Getting up at the same time and putting my butt in the chair to work is all it takes to get started, and I won’t let myself whine about writer’s block or anything like that. Always move forward, you know? I typically work from around 7:30/8 in the morning to 5 in the afternoon. Sometimes I go a little longer, but not often. Gotta rest sometime!

JA: Congratulations and thank you for joining us!

E.S. Wesley is an author and advocate for the safety and mental health of young people. A long-time mentor and counselor, Wesley has worked for years to protect, encourage, and empower young adults to navigate a life that rarely makes sense. He believes all people are just waiting for someone to relate to their stories, so he makes up stories in the hope that someone will read and find a home there.
His stories are often strange and twisty.
Wesley lives with his wife in Texas, where he’s always writing. Texas has a lot of things that he likes, but Shelly is the best of them. Second best is his son, who introduced him to his wife. Sometimes we do things out of order—that just makes life more interesting.
Connect with him on Twitter, Facebook, and Instagram, or subscribe to his mailing list.

 

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