EVERYTHING, EVERYTHING Movie vs. Book (no spoilers!)

My 13yo daughter and I arrived at a movie theatre Tuesday night as excited as two people could possibly be about getting a sneak preview of the EVERYTHING, EVERYTHING movie based on Nicola Yoon’s book by the same name. But excitement wasn’t the only thing coursing through my veins as I stood in line to take my seat…

Anyone who knows me well, knows that EVERYTHING, EVERYTHING is one of my all-time favorite books. I mean, it’s got EVERYTHING going for it. It’s a love story (swoon) about a mixed-race relationship, but it also has a dramatic twist. It’s full of feels, yet light on words making it a quick read, perfect for reluctant readers. The illustrations in the book were drawn by Nicola Yoon’s very talented husband, David Yoon, making it a love story mixed into a love story.  So yeah, I LOVE THIS BOOK!

AND I had the pleasure of riding next to Nicola Yoon on an airplane on my way to a writing workshop she was co-teaching about Writing Cross-Culturally back in March. Like me, she’s a scientist and a writer, and the word “worship” comes closest to describing my feelings for her.

BUT here’s the problem.

I normally dislike movies based on books I adore. That something else coursing through my veins was ANXIETY. I didn’t want to hate this movie.😧

 

 

 

 

BUT THE MOVIE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I LOVED it! ❤️😍❤️😍❤️😍❤️😍❤️😍❤️😍❤️

 

 

Unlike many adaptions, the movie is very close to the book. The acting is top-notch. Amandla Stenberg play the lead-role of Maddy, and she is STUNNING to watch. Her smile is like sunshine. She melted me over and over and over… The chemistry between Amandla and her co-star Nick Robinson (Olly) was excellent. The sweet, sweet love story plays out well on the big screen, and the twist is handled well. (There were many gasps in the audience!) Some of David Yoon’s illustrations were included in the movie too, which was definitely like a cherry on top. And the soundtrack is as swoon-worthy as the movie!

My Daughter’s Verdict: “I’m going to go see this with each of my friends individually so I can see it a bunch more times.” She’s talked about this movie nearly every day for months, and she was not disappointed. She loved the movie and book equally. Her favorite thing about the movie: “I really enjoyed seeing Rue (from Hunger Games) playing Maddy’s role.” Her least favorite thing: “I wish they had done the scene when Maddy and Olly first touch in the movie the same way it was in the book.”

My Verdict: I still love the book more, but I love the movie too. The only negative I have to report is the movie is too short. (I wanted MORE!) EVERYTHING, EVERYTHING is a great movie to see with your daughters and a great date movie for teens! (Yes, all romance should be this sweet!)

If you haven’t read the book and you like love stories, you will probably enjoy the movie. (I’m going to go out on a limb and predict that you will want to read the book too).

If you have read the book and loved it, you will be PLEASED!

Select showings begin on May 18th and the full release is May 19th! Go see it! Here’s a handy link to Fandango so you can find it in a theatre near you! Want to know more? Here’s the EVERYTHING, EVERYTHING movie website and Twitter.

What are your favorite movie/TV adaptions of favorite books? Feel free to share in the comments!

MICHELLE LEONARD is a math and science nerd, a chocolate biscotti baker, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT will be published in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME releasing August 2017. Connect with her on Twitter.

Writing Cross-Culturally

Pennies Michelle and Julie meet in real life at last week’s Madcap Retreat

This month, The Winged Pen’s own Michelle Leonard and Julie Artz were lucky enough to attend Madcap RetreatsWriting Cross-Culturally Workshop in Gatlinburg, Tennessee. Not only was it a blast to finally meet up face-to-face, but the long weekend was packed with great information and resources. We’d like to share a peek at what we learned with our readers.

Highlights

We were surrounded by many talented writers of various backgrounds and made many new friends for life. The faculty (pictured below) included Leigh Bardugo, Daniel José Older, Nicola Yoon, Adi Alsaid, Danielle Clayton, Tessa Gratton, Heidi Heilig, Justina Ireland, Julie Murphy, and Natalie Parker. Dhonielle Clayton

Your characters should have several layers of description that comes through in your story.

  • Outside identity:  race, skin color, physical features, names
  • Belief system:  religion, traditions, sexuality, gender, fears
  • Frame:  family structure, house rules, foods

Cultures are not a monolith. Be as specific as possible about who your character is on the outside, inside, and the frame around them.

When describing skin tone and hair, use make-up and hairstylist hair terminology (google is your friend!) to avoid character description pitfalls like “pale” (pale compared to whom???).

DJ Older

To get past good vs evil, to a more nuanced view of conflict, you have to understand the power dynamics of the characters in your story world.

Some examples of types of power:

  • Institutional power (posse of armed men)
  • Community power
  • Magic – the physicialisation of power
  • Health/ability
  • Spirituality/religion
  • Economic
  • Education
  • Acceptance
  • Beauty
  • Heteronormative/Gender
  • Reproductive
  • Race
  •  Age

The crisis of your book must be determined before you develop your character. The crisis can be anything from your character “needs a hug” to “he’s gonna die.” Ultimately, all stories are about who has the power and how it’s used. Check out DJ’s Buzzfeed article about writing about “other” characters.

Justina Ireland

Microaggressions are indirect, subtle, or unintentional discrimination against members of a marginalized group. They are often transparent to you, but not to others. Microagressions remind outgroups that they are outside the norm or social standard.

Example: A store owner following a customer of color around the store.

How do you prevent microaggressions?

  • Write with savage empathy by seeing the character like an individual.
  • Write for your entire audience.
  • Consider how people from outgroups will consider your depictions.
  • Acknowledge your blind spots and get help from others in writing characters unlike you.

Resource for sensitivity readers and more: Writing in the Margins

Another good resource good on microaggressions (not shared by Justina, but relevant) from The Atlantic.

Tessa Gratton

Metanarratives are an overarching account or interpretation of events and circumstances that provides a pattern or structure for people’s beliefs and gives meaning to their experiences. Metanarratives are repeated until they seem like facts, but rarely reflect reality or what we want for future generations.

Basic western fantasy coding

  • Good: white, European Christian, pure
  • Evil: black, non-European, non-Christian
  • This comes from history
    • Medieval recreation of West v East (greeks v Persians) by Christian historians
    • Crusader ideology

Because this is the default, you must actively work against this metanarrative.

Nicola Yoon

It’s hard to hate what you understand. Avoid stereotypes because they’re not the truth. They are lazy. (Examples: sassy black woman, nerdy Asian, overbearing Jewish mom, demonization of poverty.)

How to write cross-culturally?

  • Diversify your life. Specificity is the key to building real characters. OK, they’re sassy. And then what?
  • Empathy + craft
  • When you engage in stereotypes, people see it as a moral failing but it’s really a failure at the craft level. You did not inhabit someone else.
  • When you write characters, be specific, write against stereotypes, and do no harm.
  • Use sensitivity readers.

Heidi Heilig

Cultural appropriation is adopting or using the elements of one (usually minority) culture by members of another (usually dominant) culture. Often the original meaning of those elements is lost or distorted, and this is disrespectful and oftentimes harmful to the members of the original culture.

Julie Murphy

Things to avoid in body representation:

  • Applying moral value to food and fat vs. thin.
  • Nobody “feels” fat. It’s not a feeling!
  • Just because you write a fat character in a book doesn’t mean that you need to explain why that character is fat.

Leigh Bardugo

Good worldbuilding:  playing god and not being a jerk about it. You should read work by “marginalized authors to learn how to build worlds that don’t make people feel like shit.”

N.K. Jemisin’s work is an example of excellent worldbuilding with diverse characters.

Adi Alsaid

Start your story as close as possible to the event that throws the main character off footing. Watch this very important TedTalk by Chimamanda Adichie on the Danger of a Single Story.

Book Recommendations

There are so many amazing things happening in kidlit, it’s hard to narrow down a list of recommendations. But here are a few:

Angie Thomas – The Hate U Give

Daniel Jose Older – Shadowshaper

Leigh Bardugo – Six of Crows

Heidi Heilig – The Girl From Everywhere

Nicola Yoon – The Sun is Also a Star

Julie Murphy – Dumplin’

Alex Gino – George

Donna Gephart – Lily and Dunkin

Additional Resources

Take Gene Luen Yang’s April Reading Without Walls challenge.
NaNoWriMo’s Preparing to write about diverse characters
Justina Ireland’s blog about writing about people unlike yourself.
WNDB We Need Diverse Books resources for writers
Writing With Color
Intersecting Axes of Privilege
Cooperative Children’s Book Center (CCBC) statistics on children’s publishing
Disability in Kidlit Tumblr and website

The best part of our weekend–all the amazing friends we made! ❤️

We hope you’ll enjoy a few blogs from our new writing friends so you can see different takeaways from the MadCap Writing Cross-Culturally Retreat. Please feel free to share any resources or questions you have for writing cross-culturally in the comments!

Aimee Davis’ blogBroken Girl Cured by Love: On Tropes and the Lies They Tell

Anna Jarvis’ blog: The Wonderful World of Writing and Friendship

Jordan Kurella’s blog: We Could Be Heroes, For Every Day

Sarah Viehmann’s blog: Favorite Quotes from MadCap

Carrie Peter’s blog: MadCap Retreat: March 2017