I received a free advanced reader copy of The Takedown in exchange for an unbiased review.
Kyla Cheng doesn’t expect you to like her. For the record, she doesn’t need you to. On track to be valedictorian, she’s president of her community club, a debate team champ, plus the yummy Mackenzie Rodriguez has firmly attached himself to her hip. She and her three high-powered best friends don’t just own their senior year at their exclusive Park Slope, Brooklyn high school, they practically define the hated species Popular. Kyla’s even managed to make it through high school completely unscathed.
Until someone takes issue with this arrangement.
A week before college applications are due, a video of Kyla “doing it” with her crush-worthy English teacher is uploaded to her school’s website. It instantly goes viral, but here’s the thing: it’s not Kyla in the video. With time running out, Kyla delves into a world of hackers, haters and creepy stalkers in an attempt to do the impossible-take something off the internet-all while dealing with the fallout from her own karmic footprint. Set in near-future Brooklyn, where privacy is a bygone luxury and every perfect profile masks damning secrets, The Takedown is a stylish, propulsive, and provocative whodunit, asking who would you rely on if your tech turned against you? Excerpt taken from Netgalley.com
As someone who spends too much time blogging and on social media, I was drawn to issues raised in this book: lack of privacy in a connected world and what could go wrong as tech advances make it difficult to tell reality from forgery. The story’s main character, Kyla, is the kind of girl you want to hate, the popular girl that struts down the corridor at the start of school arm in arm with her besties ignoring all around her. But when a forged sex video turns everyone against her, you can’t help but sympathize, and want her to catch her hater.
The feminist story raises several important issues. Why does no one, even her best friends, believe Kyla when she says the video is a fake? Why is the hottest guy in school not called a slut for his serial romances and that thing he can do with his thumb while the Kyla is universally shunned after the video is posted? What are the consequences of not reading those long, tedious disclosure clauses when we sign up on social media sites? Would we be able to take down a video that showed us in an unflattering light from a social media website?
Teens are warned to be careful in their use of social media every day, but the possible consequences of weak, infrequently changed passwords are portrayed credibly in this story. A must-read for those wary of identity theft and social media attacks, and those who should be. Also a reminder of the golden rule because what goes around, comes around.
I received an Advanced Reader Copy of The Disappearances in exchange for an honest review.
What if the ordinary things in life suddenly…disappeared?
When Aila’s mother dies and her father is drafted to fight in World War II, she and her younger brother are sent to live with her mother’s best friend from childhood. Aila has met Mrs. Clifton and her son only twice and arrives at her mother’s rural home town, Sterling, grieving and hoping to hoping to discover what her mother was like when she was young. Instead she finds whispers and mysteries.
Sterling is cursed. Every seven years something disappears. The scents of food and flowers, the ability to see reflections in a mirror or a pane of glass, even dreams. They’ve been gone for years and aren’t returned by crossing the town line. For the inhabitants of Sterling, everyday life comes with a sense of loss over the things that have disappeared and the fear of the next one to go. The only inhabitant of Sterling to ever have escaped the Disappearances was Aila’s mother, which is why most people in town suspect that she caused them.
The Disappearances takes you to a new world, a town set apart by the Disappearances and the magic residents have found in their search the remedy the affects. Emily Bain Murphy’s writing is lovely and Aila will pull into her struggle to fit in in this strange community, her search for the truth about her mother, and her quest to follow clues that will lead her to the source of the curse. The Disappearances will appeal to the literary minded, as Aila follows the clues in her mother’s old copy of Shakespeare’s works and other classics.
Bill works as a 911 dispatcher for Henrico County Police.
He served as the 2013 chair for James River Writers.
Despite the red covers, little blood is spilled. Gidion is the younger male version of Sookie Stackhouse and Veronica Mars.
A fast-paced thriller. A witty boy. Written by a police expert. Fresh spin on the vampire trope from the hunter’s perspective. Appropriate for MG and YA readers. Last, but not least: funny.
Sussu:After writing a review of the exciting duology “Gidion’s Hunt” and “Gidion’s Blood,” the story of a vampire hunter, I thought the next logical step was to ask Bill Bloome for an interview. Welcome Bill to The Winged Pen.
Bill Blume: I remember your review, because it made my day when I saw it. My son was an advanced middle-grade reader when the first book came out, and it was cool to see someone recognize it wasn’t a book that’s exclusive to the YA crowd (even if that was the originally intended market).
Sussu: What choices did you make in order to make the story attractive to boys?
Bill Blume: The main reason I knew boys would be more inclined to like it is probably the most obvious: the protagonist is a boy. The YA market targets girls most of the time (folks more knowledgeable than I am have helped me realize just how complicated an issue that is). I think part of the reason Gidion works well for boys is because his character hits on a lot of the things every boy wants to be at that age: smart, tough, and clever. One review of the book called it a mix of Blade, Encyclopedia Brown, and John Hughes films, which isn’t far off the mark. Most of all, Gidion is at that age where he’s fighting to prove he’s ready to be an adult, which I think any reader at that age can relate to.
Sussu: Why did you choose to write a vampire novel with no gore?
Bill Blume: It’s funny you mention the gore, because I get mixed reactions on that. I certainly don’t dwell on it, because I’m more interested in exploring Gidion’s search for answers. Gidion is basically like a love child of Buffy, the Vampire Slayer and Michael Westen from Burn Notice.
Burn Notice brought a common sense approach to spy work, and Gidion brings that same kind of common sense way of doing things to hunting vampires.
Sussu: I think kids will connect with the realistic and believable aspect of the story. How did you choose your vampires?
Bill Blume: My goal, before I even realized it would be a YA novel, was to write the best damn vampire hunter story ever. I wanted it to feel as real as possible, like this could happen around us with most people never noticing. Most of all, I wanted my protagonist to be all human. So many supernatural series make the big bads so tough, they have to give the heroes powers to even the playing field. Keeping Gidion de-powered meant going the other way, making the vampires more human, too.
Sussu: Did working in TV news help you as a writer?
Bill Blume: Honestly, no. The biggest contribution had to be working as a 911 dispatcher, which I’ve done for 15 years now. If you’d told me years ago that working in law enforcement would help me write a vampire hunter novel, I’d never have believed it, but it informed the book a lot.
Sussu: What TV shows or novels influenced you?
Bill Blume: Have to give Burn Notice its due. The voice for Michael Westen is also Gidion’s. The guy I got to voice Gidion in the book trailers even watched clips of the show to get the cadence. Only reason I started watching the show was because I was teaching a training class at work and was told I sound like Michael Westen (they were right!).
Sussu: How cool! What is a word you live by?
Bill Blume: The best word to describe me is probably “stubborn.” Haha! It can be such a negative trait so often, but it can be helpful when you need to finish something that requires a long time to stay focused. Writing a book takes a long time, and you doubt yourself more than you don’t as you’re writing. I’m 80,000 words into a non-Gidion YA book that’s very different for me, more character-driven than plot. There’s no guarantee it’ll get published, but by God, I will get this rough draft finished before the end of the month. Very different voice for me, too. Gidion comes naturally, this new character does not.
Sussu: Does that mean no more Gidion’s books?
Bill Blume: Sadly, Gidion is shelved for the moment. The first two books need to prove themselves a little more to the publisher before they will greenlight a third. A manuscript was started, and I know where his story goes next, but the first two books also provide his first major arc. A third book would start him on a new journey, and one day I plan to go back. Don’t think I could abandon Gidion. He’s become a part of me. His quirk for good luck charms and numbers has even infected me. He also turned me into a big, BIG Tim Drake fan. I collect DC comics now to follow Tim, and before that I was a Marvel fan all the way.
Sussu: It was wonderful having you here. I appreciate your time.
Jennifer Park’s young adult novel, THE SHADOWS WE KNOW BY HEART (Simon Pulse, March 14th) has it all! Today, I’m thrilled to interview our very own Winged Pen member and help her celebrate her upcoming debut with a swag giveaway.
Jennifer, congratulations! Tell us about your book.
Thanks so much!! THE SHADOWS WE KNOW BY HEART is a contemporary retelling of Tarzan, set in the piney woods of East Texas. With Bigfoot!
This is a great twist on the legend of Bigfoot; how did you come up with the idea?
I’ve always been fascinated with the idea that there are still species out there that science can’t yet prove exists, yet thousands of eye-witness accounts suggest otherwise. My interest in Bigfoot began with watching the show Finding Bigfoot, and went from there. It was actually my mom’s idea to write the book, and I tossed it around for a while before I began writing, simply trying to find a serious way to handle the subject.
It’s safe to say that your main character, Leah Roberts, comes from a troubled home. Did she come to you fully formed, or how did her character develop for you?
She does, and I needed her to have a reason to go to the woods, to have that be her place of escape, and a secret of her own that she’s willing to protect at all costs.
No, she didn’t. I had a vague idea when I started of who I wanted her to be, but it wasn’t truly nailed down until well into final editing stages that she really became who you see now.
Which character in the story is your favorite?
Definitely Bee, the central Bigfoot character. I loved writing her scenes. I think she brings such humor and deep moments for Leah. I wish she wasn’t just a fictional character! I’d be a forest pirate with her any day. 🙂
Tell us about the editing process; what surprised you the most?
I really loved seeing how the book was developed through each stage of the editing process. By the time I turned in that last round of edits, I think I knew my characters far better afterwards than before. And also discovered that some of my characters winked a lot and I never noticed until my editor pointed it out.
And now, the fun begins! Tell us about the pile of swag you are giving away.
Yay! Yes, I’ve got a signed copy of THE SHADOWS WE KNOW BY HEART, a bookmark with an adorable Bigfoot charm, and a signed art print for the winner!
How do our readers enter?
All they have to do is post a link to this interview to their Twitter account and leave a comment below between now and noon on March 13th. The winner (whose name will be pulled from our Triwizard cup) will be announced on our blog the morning of March 14th (the same day as my book birthday!).
Are there any other ways our readers can get their hands on swag?
Yes! I’m also running a swag giveaway for pre-orders on Twitter beginning March 1 . Follow me for details. And if you happen to be at Barnes & Noble in Beaumont, TX on March 18, I’ll be there signing books and handing out swag as well.
Jennifer, thanks for joining us today, and congratulations again on your debut.
Thanks so much for having me!
Jennifer Park grew up on the bayous of southeast Texas daydreaming of fantastical worlds. A former middle school art teacher, and current Ocean Artist Society member, she now lives tucked within the East Texas pines she loves. When she’s not writing, she spends her time overloading on soy mochas, hoarding chocolate, and managing her herd of one husband, two kids, numerous dogs, a shamefully large number of garden snails, and one tortoise named Turquoise. Sometimes she does look out the window and hope to see Bigfoot.
A jack of all trades, JESSICA VITALIS worked for a private investigator, owned a modeling and talent agency, dabbled in television production, and obtained her MBA at Columbia Business School before embracing her passion for middle grade literature. She now lives in Atlanta, Georgia, where she divides her time between chasing children and wrangling words. She also volunteers as a Pitch Wars mentor, with the We Need Diverse Books campaign, and eats copious amounts of chocolate. She’s represented by Saba Sulaiman at Talcott Notch and would love to connect on Twitter or at www.jessicavitalis.com.
Brandon Mull writes for boys using his relentless imagination and his scouting experience.
He has written Beyonders, Fablehaven, and Five Kingdom among others.
Mull says in an interview with Tori Ackerman, “I wanted to go to a world where there was a lot to discover, but still light and fun.”
If Brandon Mull’s series appeal to every demand of one’s imagination, it’s because the author wanted his worlds and characters to be fresh and new.
With so many retellings inspired by legends and folklore, authors who bravely come up with new worlds are harder to find. Kids are drawn by the novelty of his worlds.
For example, Brandon Mull came up with mysterious castles in the air and jumping swords. Even if the sword is a valuable weapon in one world, it is useless in another. Brandon Mull came up with very distinct worlds within worlds. That’s why the books are reminiscent of framed stories like the Arabian Nights. Each episode brings new discoveries and surprises.
The books are movie-driven with episodic adventures, as well as dialogue-driven. Short, snappy episodes do not mean that the plot is less complex. Obviously, there is a lot going on, but each episode is a new adventure bringing on new characters, even late into the story. The ideas are big, but the way things are explained are simple and accessible. Heroes are driven by the moment, by their instincts rather than by their experiences, but they always come up with smart, creative, and resourceful solutions. Yet, in these fast-paced stories, dialogues go on and on for pages without being boring. That’s because dialogues are used to describe the worlds and their mechanics. They are fascinating.
Brandon Mull says in an interview with Book Zones Boy’s Life, “Scouting has significantly helped my career as a professional writer. To create stories, I need details, and my experiences in Scouting helped me learn at least a little about a wide variety of things.”
Mull’s epic fantasies bring to life ordinary kids who survive by their wits in wild worlds. Kids can easily identify to courageous and tenacious heroes. Mull manages a large cast of characters, realistic endeavors, and honest characters with a strong sense of right and wrong. In Fablehaven, Kendra and Seth’s job is to protect magical creatures contained in a reservation. The sense of danger is always present. Characters are sacrificed. Miracles happen too. Treacherous characters make the lives of the heroes difficult. The reader roots for heroes who do not hesitate to take risks, calculated or not. Not only the pace is fast, the adventures constant and the creatures interesting, but also the main characters barter with each other all the time. Their relationship battles between love, hate, and teasing. Many Brandon Mull’s characters challenge each other verbally, adding tension and fun to the chapters. Kendra reflects at the end of a Fablehaven’s adventure, “Many of her experiences here had been dreadful. […] Life would seem so dry after the extraordinary events of the past couple of weeks.”
All in all, Brandon Mull attracts kids by appealing to their sense of adventure and curiosity. The kids want to know what creatures or monsters are in the book. They know they will be surprised. They also appreciate things that blow up, things that get punched, new creatures, cool little guys, things taken from the mythology and from the pop culture, and non-stop action. The quick, dynamic plots sustain little introspection, but they explore new ideas for kids, out loud. Brandon Mull’s stories are a delight because they are full of imagination, conflict, tension, extreme measures, driving motivations with high stakes, and quirky heroes with weaknesses. It’s a new epic that’s tailored for boys and for kids who dream of quests and new worlds.