MYC: Make Your Story Fit Your Reader

Welcome to this week’s Master Your Craft post! Each Wednesday we’ll discuss prewriting and drafting a new book from the BIG IDEA to QUERYING. Last week, we talked about Creating Interesting Dialogue and Description. This week, we’ll discuss making sure the content and sentence, paragraph, chapter, and word count work for your reader.

As you are revising, one important step in the process is to make sure that you wrote a book that “fits” your reader. Below, I’ve attempted to attach some numbers as rough estimates based on my own browsing and research about books in these categories, but please, please, please do you own research too. The point of this post is to make sure you’re thinking about content and sentence, paragraph, chapter, and story length as you revise.

Chapter Book

These are for kindergarten through fourth grade. But, of course, that’s quite a spread in reading ability. Some chapter books are for beginning readers and others are transitionary, getting the reader ready for middle grade fiction. Often these books are about family relationships and friendship.

Beginning-level Chapter Books: In terms of vocabulary, they are similar to the level 3/4 books in the popular I Can Read leveled readers. The plot is normally simple and the sentences are short and uncomplicated. These early chapter books are typically published with a large font and are color-illustrated, often with a picture on every page. The art typically supports the texts, meaning it is important to the story because it shows things that don’t have to be described, much like a picture book.

Examples: Princess in Black series, Mercy Watson, Captain Awesome, Ivy and Bean, Heidi Heckelbeck, and Dragon Masters.

Sentence Length: Generally short (<10 words) with a few longer sentences.

Paragraph Length: Less than six sentences. Some are single sentence. Lots of white space. Normally less than 50 words.

Chapter Length: Some have no chapters, but typically less than 12 highly-illustrated pages (note: this is as-published, no how it will be in your document)

Story Length: Ranges typically from 1500-6000 words

Higher-level Chapter Books: As compared to the beginning readers, the vocabulary is broader. There is less repetition. The sentence structure becomes more complicated by adding phrases and more adjectives and adverbs. The plot may be more elaborate, maybe by adding mystery or leaving out details to let the reader figure out on his/her own. The concepts/details may require a higher level of thinking. Perhaps the biggest change of all is that the font is usually smaller and, though the illustrations are still there, they aren’t usually necessary for understanding the story. Illustrations are often done in black.

Examples:  Judy Moody, Diary of a Wimpy Kid, Captain Underpants, early Magic Tree House series (the Merlin Missions are for middle grade readers)

Sentence Length: Usually less than 20 words per sentence. There are still many short sentences in between longer sentences, and this structure is ideal even for adult works. More complicated in structure and word choices.

Paragraph Length: Slightly longer than the early chapter books, but still generally less than 75 words. Still more white space than middle grade.

Chapter Length: Some have no chapters, but typically less than 12 illustrated pages

Story Length: Typically from 4000-15,000 words

Middle Grade

Middle-grade stories are typically for ages 8 and up. They deal with more complicated concepts and sometimes cover sad and more mature topics than you will find in most chapter books, like divorce, death, bullying, and risky behaviors. These books often give children a wider window into the world by covering these topics and they also often include characters that have different cultures or ethnicities. Often books help readers explore their feelings about issues with friendships and family through story, and they are great tools in helping children understand empathy and community. Romance, if any, is usually limited to hand holding or a quick, nervous kiss. These books have few illustrations and they are often confined to the chapter heading.

Examples: When You Reach Me, The Journey of Edward Tulane, Fourteenth Goldfish, Karma Khullar’s Mustache, Wish

Sentence Length: Readers are capable of tackle long, complicated sentences, but using a variety of sentence lengths is still important. Vocabulary should reflect the types of words you would expect these readers to know or be able to figure out with context clues. Though helping the reader expand his/her vocabulary is a fine goal, be careful that there isn’t a high density of challenging words in your sentences.

Paragraph Length: Mostly two hundred words or less with a variety of paragraph lengths so that you don’t tire your reader.

Chapter Length: There’s really no rule here. A young reader is often more likely to tackle the next chapter if it is less than 10 pages, especially if he knows mom/dad will let him/her go a few minutes over lights-out time for reading. 🙂

High action scenes may require longer chapters, but if the chapter is clocking toward 20+ pages, you may want to find a way to break it up. Short chapters with choppy sentences are great for when you need to increase the tension in the story.

Particularly important for this age, leave small cliff hangers at your chapter endings when possible.

Story Length: Stories that don’t require a lot of world building are typically 20,000-50,000 words. Sci-fi and fantasy can be longer, but generally those should be less than 70,000 words.

Young Adult

Young adult stories are mostly for ages 13+. Profanity, sex (not erotic), drug and alcohol use are okay, but it’s not as acceptable for books with a younger protagonist (<15 years old). In young adult books, the parents tend to have a less important role in the protagonist’s life because they are more focused on friendships and non-familial relationships.

Great resource by agent and author Marie Lamba about what’s appropriate in MG vs. YA.

http://www.writersdigest.com/online-editor/the-key-differences-between-middle-grade-vs-young-adult

Examples:  Across the Universe, The Sun is Also a Star, I’ll Give You the Sun, The Hate You Give, Miss Peregrine’s Home for Peculiar Children

Sentence Length: These readers often have adult-like reading skills and can handle complex sentences and vocabulary.

Paragraph Length: Less than 200 words for most paragraphs. A variety of paragraph lengths is best.

Chapter Length: Less than 25 pages generally with mini-cliff hangers to keep the reader turning pages.

Story Length: Less than 90,000 words unless complex world building is necessary for the story. For sci-fi and fantasy, this can be longer. See Maria Lamba and the post in resources for more details.

Resources:

Word count: http://literaticat.blogspot.com/2011/05/wordcount-dracula.html

Page count (funny): http://100scopenotes.com/2014/07/15/all-middle-grade-should-be-192-pages-no-exceptions/

Chapter length:

https://kidlit.com/2017/06/05/childrens-book-manuscript-chapter-length/

http://writersroadtrip.blogspot.com/2009/12/wrt-rules-of-road-chapter-length-and.html

https://writers.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter

http://allwritefictionadvice.blogspot.com/2012/05/chapter-novel-lengths.html

An excellent resource for finding out the word count for your favorite books: http://www.arbookfind.com

Ready for more craft advice on writing middle grade or young adult fiction? Head back to our Master Your Craft page where you’ll find dozens of more topics to choose from!

MICHELLE LEONARD is a math and science nerd, an Indie children/teens bookseller, and a SCBWI member who writes middle-grade and young adult fiction. Her young adult sci-fi short story IN A WHOLE NEW LIGHT , about a teen girl who uses technology to fight racism, is in the BRAVE NEW GIRLS ANTHOLOGY: STORIES OF GIRLS WHO SCIENCE AND SCHEME. Proceeds from the anthology go towards scholarships for the Society of Women Engineers! Connect with Michelle on Twitter.

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One thought on “MYC: Make Your Story Fit Your Reader

  1. Thanks for this break down, Michelle. As someone who is writing upper MG/lower YA I wish there was a category for me! (Your link to WD was helpful–let an agent decide and write the best book I can!)

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